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Esto tiene una PINTAZA espectacular! Charlize repartiendo + el director de John Wick + McAvoy
Si consigue una película tan eficaz como John W. puede ser brutal...
El color de esta última imagen remite a la escena del club en John Wick.
Trailer doblado al castellano
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Qué ganas de ver a Charlize repartiendo manduka!
"Never compromise. Not even in the face of armageddon."
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Jajajaja, Tripley, el compositor es Tyler Bates (no muy sorprendente teniendo en cuenta que ha realizado ambas entregas de John Wick)
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
The score began with demo sketches I shared with Dave while he was in pre-production, which I didn’t expect to become the final score. But Dave and the editor, Elísabet [Ronaldsdóttir] were cutting the picture to my demos and they liked the sound of it. The score is minimalist compared to much of my work, which is a welcome change, especially because the film is so strong that the motive of the score is more subversive or understated than many movies I have done. Obviously, the arrangements evolved with the picture, but the DNA of the score lives in the initial sketches that were recorded into my iPhone and the first synth sketches I delivered to editorial. I find it to be a much more rewarding experience as a composer when your final score is culled completely from your initial original ideas specific to the project you are writing for.
The songs, the clothes, and the environment, clearly contextualize the film in the late 1980’s, which allows the score to be more impressionistic than literal in serving the film. The score definitely gives a nod to the 80’s, but it’s also aesthetically modern. I wanted to avoid creating a score that feels like other recent ‘80s-like scores that have been done for either TV shows or movies, so it was a matter of “Ok, what can we do that is cool but maybe not do what’s happening in this show or in this movie?” Limitations often breed creativity. In this case, my task was to create a score that effectively underscored quiet tense moments, while the songs typically underscored the significant action sequences, while framing the story in a modern impression of the late 1980’s. It was pretty tricky, I have to say.
:(
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
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Cada vez tengo más ganas de ver este film. Ya veremos que tal, si lo que parece que proteme el trailer se materializa o no, pero al menos me lo venden bien con Sweet dreams
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
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Featurette de escenas de acción.
Que buena estás Charlize
50.000 thousand people used to live here, now it´s a ghost town.
"Our so called leaders prostitution ush to the west, destroyed our culture, our economy, our honor"