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Tema: Cannes 2006

  1. #1
    sabio
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    Predeterminado Cannes 2006

    Cannes list taking shape

    By Charles Masters

    PARIS -- With a month to go before the Festival de Cannes lineup is unveiled, dozens of films have yet to be seen by selectors, but some certainties about what will be screening on the Croisette have emerged.

    Already, a good quarter of the 20-plus Competition titles are in place. After rumors that Sofia Coppola was leaning toward a Venice premiere, her French-shot period drama "Marie-Antoinette," starring Kirsten Dunst in the title role, is now a lock for the Cannes Competition. French distributor Pathe has slated the film for a May 24 release.

    The final installment of Aki Kaurismaki's Finnish trilogy, "Lights in the Dusk," also is assured a Competition slot. Kaurismaki scooped up the runner-up Grand Prix at Cannes in 2002 for "The Man Without a Past." And, as expected, Pedro Almodovar's epic comedy "Volver," starring Penelope Cruz, also will take a Competition berth.

    French titles are traditionally selected last, but a strong consensus has formed around Nicole Garcia's ensemble piece "Selon Charlie" for a Competition slot.


    Nanni Moretti's "The Caiman," a skewering of Italian media mogul and Prime Minister Silvio Berlusconi, has yet to be screened by selectors, but those who have seen the movie ahead of its release in Italy on Friday said its strengths should guarantee it a place in Competition. Moretti won the Palme d'Or in 2001 for "The Son's Room."

    ''Babel," a story told in three parts from Mexican helmer Alejandro Gonzalez Inarritu, is thought very likely for Competition.

    Meanwhile, rumors are growing that one-time Competition shoo-in David Lynch might not have his experimental non-narrative film "Inland Empire" completed in time. Others think this is bluff. "I think the film will be ready in time. David will be going to Cannes even if he pretends he's not. It's 99% certain," one Lynch associate said.

    Another raft of titles look certain for inclusion, though for which section of the festival's various options remains in the balance. Among these are "Pan's Labyrinth," Guillermo del Toro's chilling fantastical story set against the backdrop of a fascist regime in 1944 rural Spain, and "The Climate," from Turkish helmer Nuri Bilge Ceylan, whose film "Distant" won the Grand Prix in 2003. "Shortbus," John Cameron Mitchell's follow-up to his acclaimed debut "Hedwig and the Angry Inch," also falls into this category. Set in contemporary New York, the film is a steamy exploration of relationships as seen through gender, sexuality, art and music.

    The tear-jerking World War II drama "Indigenes" (Days of Glory), a Franco-Morrocan-Algerian co-production directed by Rachid Bouchareb and starring a quartet of France's top talent of North African origin, is a Cannes certainty, though not necessarily for Competition. Some involved with the film are keen on a high-profile, out-of-Competition screening similar to that for Christian Carion's WWI-set "Merry Christmas" last year, which helped that movie secure a U.S. deal with Sony Pictures Classics and a subsequent Oscar nomination.

    A slew of further movies are scrambling to present a finished cut. These include Richard Linklater's "Fast Food Nation" and Darren Aronofsky's "The Fountain."

    Of the old British hands, Ken Loach looks the safest bet for Competition with "The Wind That Shakes the Barley." With its sympathetic look at Republicans in early 20th century Ireland, the movie already is attracting controversy in the U.K. Stephen Frears' "The Queen," made for TV in the U.K. but destined for theatrical release elsewhere, may yet secure some sort of Cannes slot, but Competition looks increasingly unlikely.

    The only titles so far announced by organizers are Columbia Pictures' Tom Hanks starrer "The Da Vinci Code," which opens the festival on May 17, and the multidirector composite film "Paris, je t'aime" (Paris, I Love You), which will kick off the sidebar Un Certain Regard the following day. The full lineup will be announced April 20 in Paris.

    With Cannes running a week later than usual, selectors are making full use of the extra time before sending out official offers to films. Dozens of major titles are scheduled to be screened in the coming weeks, so many producers are waiting to hear if they have made the cut.

    "On paper, it looks good," Cannes artistic director Thierry Fremaux said during a recent visit to Berlin. "Last year, it was a fairly classic lineup. This year, I want to create some surprises."

    Animated films are expected to be represented at the festival, with possible contenders including Michel Ocelot's medieval Arabian tale "Azur and Asmar" and the satirical teen/adult cartoon "Snow White, the Sequel" from Belgian director Picha. Picha's "The Missing Link" unspooled In Competition at Cannes in 1980. Disney/Pixar's "Cars" will not be previewed in Cannes because the European junket will take place the weekend before the fest kicks off at the Spanish Grand Prix in Barcelona.

    Anders Morgenthaler's X-rated "Princess," billed as the first Danish Manga film, looks likely for the sidebar Un Certain Regard. Produced by Zentropa, the film tells the story of ex-priest August and Mia, the 5-year-old daughter of former porn-star the Princess, who go on a mission to destroy all pornographic material with her in it.

    Among titles that can now be ruled out of Croisette contention are the psychological drama "I Am the Other Woman" from German veteran Margarethe von Trotta, which now seems likely for a Venice premiere, and two-time Palme d'Or winner Emir Kusturica's documentary on Argentine soccer legend Maradona, which won't be completed in time. Woody Allen's "Scoop" also will not be ready for Cannes.

    If soccer fan Fremaux wants to include a soccer-themed film ahead of the World Cup Finals in June, a likely one is "Zidane," a 90-minute real-time portrait of French star Zinedine Zidane directed by contemporary artists Douglas Gordon and Philippe Parreno.

    Asian titles remain hard to predict. Most likely to appear somewhere is horror/sci-fi picture "The Host" from Korean helmer Joon-ho Bong, its subject matter of a mutant rising from Seoul's Han river suggesting it may play well as a midnight screening. Jong-bin Yoon's "Unforgiven," which premiered at South Korea's Pusan Film Festival, is expected to resurface in Un Certain Regard.

    Chinese hopefuls include "Luxury Car," the third film by Wang Chao, which has yet to be screened by selectors; Lou Ye's as-yet-unfinished "Summer Palace"; and helmer Jia Zhangke's "Still Life," also in postproduction.

    Elsewhere, German veteran and Palme d'Or winner Volker Schloendorff is being tipped for a slot in Un Certain Regard with "The Heroine," the story of the female dock worker at the shipyard in Gdansk who triggered the strike that lead to the creation of the Solidarity movement.

    Also on the Un Certain Regard short list is Maria Speth's mother-daughter relationship drama "Madonnas," which Pandora is producing and the Match Factory is selling worldwide. And Frenchman Jean-Claude Brisseau's "Exterminating Angel," the tale of erotic casting sessions that has some crossover with the director's recent true-life travails, is said to be assured of a place in one of the sidebars.

    Cannes' Critics' Week sidebar has yet to lock down a single title. The only title so far confirmed is a special screening of "Return to Kigali," a documentary about the genocide in Rwanda by French journalist-turned-filmmaker Jean-Christophe Klotz, organizers said.

    Directors' Fortnight has only locked down a handful of titles so far, among them Julian Goldberger's Sundance Film Festival entry "The Hawk Is Dying" starring Paul Giamatti, and a as-yet-unannounced drama by a first-time French director. Also tipped for a Directors' Fortnight slot is near-future satire "How to Get Rid of Others" from Danish director Anders Ronnow Klarlund.

    Among strong documentary contenders are IFC TV's "This Film Is Not Yet Rated" directed by Kirby Dick, a critical look at the MPAA ratings board, and "The Journalist and the Jihadi: The Murder of Daniel Pearl," an HBO-commissioned film tracking the parallel lives of slain Wall Street Journal reporter Pearl and the man convicted of killing him, Omar Sheikh.

    http://www.hollywoodreporter.com/thr..._id=1002199892

  2. #2
    Senior Member Avatar de woody allen
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    Predeterminado Re: Cannes 2006

    ese Codigo canta que da gusto pero bueno públicidad va a tener y mucha sobre todo porque le van a dar palos por todos lados supongo.

    Alguien del foro va??

  3. #3
    sabio
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    Predeterminado Re: Cannes 2006

    Foto de la nueva de Kaurismäki:


  4. #4
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    Predeterminado Re: Cannes 2006

    Cita Iniciado por woody allen
    ese Codigo canta que da gusto pero bueno públicidad va a tener y mucha sobre todo porque le van a dar palos por todos lados supongo.

    Alguien del foro va??


    "El Código Da Vinci", no canta porque es la película que abrirá el festival, no está a Concurso obviamente y sólo va a dar glamour al festival y a lucir estrellas, que también valen para eso los festivales.
    De todas maneras, el listón de lo más bajo que ha pasado por Cannes de Ron Howard, supongo que seguirá siendo "Ed Tv"

  5. #5
    sabio
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    Predeterminado Re: Cannes 2006

    The film Paris je t'aime will open the selection Un Certain Regard of the Festival de Cannes on the evening of May 18th.

    Produced by Claudie Ossard and Emmanuel Benbihy, Paris je t'aime is a collective work directed by some twenty international filmmakers, each focusing on one of Paris's arrondissements.

    These love stories under the skies of Paris, told in just five minutes, were directed notably by: Alfonso Cuarón (Mexico), Gurinder Chadha (India), Gus Van Sant (USA), Isabelle Coixet (Spain), Joel & Ethan Coen (USA), Nobuhiro Suwa (Japan), Alexander Payne (USA), Oliver Schmitz (South Africa), Richard LaGravenese (USA), Tom Tykwer (Germany), Vincenzo Natali (Italy), Walter Salles (Brazil), Wes Craven (USA); and for the French, Olivier Assayas, Frédéric Auburtin, Sylvain Chomet, Gérard Depardieu and Bruno Podalydès...

    Among the cast of Paris je t'aime we find such great names as Ben Gazzara, Bob Hoskins, Elijah Wood, Emily Mortimer, Fanny Ardant, Gaspard Ulliel, Gena Rowlands, Hippolyte Girardot, Juliette Binoche, Leonor Watling, Ludivine Sagnier, Barbet Schroeder, Maggie Gyllenhaal, Natalie Portman, Nick Nolte, Sergio Castellitto, Steve Buschemi, Willem Dafoe, Yolande Moreau...

    Un Certain Regard presents each year in the Official Selection some twenty films. Its jury awards the Un Certain Regard Award, supported by the Gan Foundation. Last year's prize went to the Romanian film "The Death of Mr. Lazarescu", directed by Cristi Puiu.

    In 2006, the Prize will be awarded at the closing ceremony of Un Certain Regard on Saturday May 27th, the day before the closing ceremony of the Festival de Cannes and the announcement of the official Awards.

    The composition of the Official Selection will be announced on Thursday April 20th.

  6. #6
    Senior Member Avatar de woody allen
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    Predeterminado Re: Cannes 2006

    Cita Iniciado por chinocudeiro
    Cita Iniciado por woody allen
    ese Codigo canta que da gusto pero bueno públicidad va a tener y mucha sobre todo porque le van a dar palos por todos lados supongo.

    Alguien del foro va??


    "El Código Da Vinci", no canta porque es la película que abrirá el festival, no está a Concurso obviamente y sólo va a dar glamour al festival y a lucir estrellas, que también valen para eso los festivales.
    De todas maneras, el listón de lo más bajo que ha pasado por Cannes de Ron Howard, supongo que seguirá siendo "Ed Tv"
    vas??? que cabrón.

  7. #7
    Senior Member Avatar de nogales
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    Predeterminado Re: Cannes 2006

    ¡Qué raro que Almodóvar vuelva a concursar después del cabreo que se llevó cuando TODO SOBRE MI MADRE no se llevó la palma de oro (reacción totalmente desproporcionada por otra parte, dicho sea de paso

    Del resto, me da la impresión de que la última de Moretti es un pestiño, básicamente porque no la protagoniza él, y precisamente su presencia era uno de los factores que hacían más interesante su cine.

    A la Coppola seguro que la cae algún premio (los franceses poco menos que beatifican a su padre... ) y del resto, pues más o menos era lo esperado...
    RECREATIVOS NOGALES!!!!! Si entras, ya no sales!

  8. #8
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    Predeterminado Re: Cannes 2006

    Cannes flexes 'X'
    Fox actioner, 'Fountain' fly to France

    By DEREK ELLEY

    How do you say "Wolverine" in French?
    The 59th annual Cannes Film Festival will have a strong Hollywood presence thanks to Fox's "X-Men: The Last Stand" and Warner Bros.' "The Fountain," both starring Hugh JackmanHugh Jackman, plus a 20-minute preview of Paramount's Oliver StoneOliver Stone pic "World Trade Center" and a slew of other U.S. pics, including toons and docs.

    Stone will also be honored as part of a 20th anniversary tribute to "Platoon."

    Until the official selection lineup is unveiled April 20, nothing is written in stone. But, with a reported 12 of the 20-plus competition titles now in place, the mix is dominated by English-language and European pics, while light on Asian titles.

    As previously announced, the fest gets off to an American-international start on May 17 with Sony's "The Da Vinci Code," helmed by Ron HowardRon Howard and starring Tom HanksTom Hanks.

    Only other title officially announced by the fest is the multi-director "Paris, I Love You," which opens official selection sidebar Un Certain Regard on May 18.

    Fest artistic director Thierry Fremaux, as usual, is opting for an eclectic mix.

    After a fallow last year, DreamWorks returns to the fest with its latest toontoon, "Over the Hedge," about a raccoon (voiced by Bruce WillisBruce Willis) and a turtle battling encroaching suburbia. Pic is targeted for a noncompeting slot, as is "X-Men: The Last Stand," which opens worldwide during the fest's second week.

    Among documentaries showing in noncompeting slots, there's "Al Gore: An Inconvenient Truth" and "John Ford/John Wayne: The Filmmaker and the Legend," directed by Sam Pollard and produced and written by Kenneth Bowser, which will be linked to a screening of a restored version of "The Searchers."

    Darren AronofskyDarren Aronofsky's "The Fountain," in which Jackman stars with Rachel Weisz, will be showing "somewhere" in the official selection, per fest insiders, as will actor-director John Cameron Mitchell's heavily sexual New York ensembler "Shortbus," Rolf de Heer's AussieAussie Aboriginal drama "Ten Canoes" and Rachid Bouchareb's "Days of Glory," a big-budgeter about North Africans who fought alongside the French in WWII.

    Films very likely to find slots, based on final jigsaw puzzling of the program, are two Mexican features, Alejandro Gonzalez Inarritu's "Babel," featuring Cate BlanchettCate Blanchett, Brad PittBrad Pitt and Gael Garcia BernalGael Garcia Bernal in a trio of stories set around the world, and "The Violin," by Cannes Cinefondation alum Francisco Vargas, based on his own short, as well as Richard LinklaterRichard Linklater's ensembler "Fast Food Nation," with Patricia Arquette and Ethan HawkeEthan Hawke, from Fox SearchlightFox Searchlight, and Guillermo del ToroGuillermo Del Toro's Spanish-lingo horror movie "Pan's Labyrinth," set in northern Spain.

    Definitely set for the competition is "Marie Antoinette," Sofia CoppolaSofia Coppola's costumer with a pop tune score based on Antonia Fraser's biography and starring Kirsten DunstKirsten Dunst, Rip Torn, Judy Davis and Jason Schwartzmann. The Columbia/American Zoetrope production screens May 24 and goes out Stateside in October.

    On the other hand, a film that previously looked like a sure bet, "The Good German," Steven SoderberghSteven Soderbergh's B&W post-WWII Berlin murder mystery, with Blanchett, George ClooneyGeorge Clooney and Beau Bridges, is still in post-production and will very possibly not be completed in time. WB releases pic in the fall, but one can be sure a fest slot will be made available at the last minute should it be ready.

    Five longtime Cannes favorites -- Pedro AlmodovarPedro Almodovar, Ken Loach, Aki Kaurismaki, Nanni Moretti and Marco Bellochio -- will be returning in May with their latest films. Almodovar will bring "Volver," starring Penelope CruzPenelope Cruz and already one of his biggest hits in Spain, for a May 19 Croisette bow; Loach will offer "The Wind That Shakes the Barley," a portrait of Republicans in early 20th-century Ireland, a French-Irish-U.K. co-production scripted by Loach regular Paul Laverty and starring Cillian Murphy; Kaurismaki will be back with "Lights at the Edge of the City," the final leg in his "unemployment trilogy," centered on a night watchman and a sexy femme in the suburbs of Helsinki; Moretti has his anti-Berlusconi comedy-drama "The Cayman," also a local hit and Bellochio will present "The Wedding Director," a Sicily-set drama, with Sergio Castellito.

    Also certain for the competition are "Climates," by Turkey's Nuri Bilge Ceylan (whose "Distant""Distant" won two prizes at Cannes in 2003); and "Selon Charlie," French thesp Nicole Garcia's fifth directorial outing, with Jean-Pierre Bacri and Vincent Lindon. At least two more French features will be added to the lineup late in the selection process.

    On the cusp is "The Weakest Is Always Right," Lucas Belvaux's comedy, with Natacha Regnier, Eric Caravaca and Belvaux himself. Belgian actor-director, who drew attention with his 2002 "Trilogy," makes his first appearance on the Croisette.

    The word around Paris is that the competition is taking a more mainstream turn this year. "It's a clear strategy that, if a film is too arid, it won't get a competition slot, regardless of whom the director is," one sales agent told Daily Variety. However, that message doesn't seem strongly reflected in the selections so far, which are sending out mixed signals very typical of artistic director Thierry Fremaux's reign.

    Ironically, in a year when one of Asia's most celebrated directors, Wong Kar Wai, is jury prez, the 2006 official selection looks to be Asia-light compared with recent years. "Hana," Hirokazu Kore-eda's drama centered on a samurai plotting revenge on his father's killer, is the sole Asian title that looks likely to be headed for the competition.

    That's partly due to bad timing, with many major titles not yet ready; fall fests, especially Venice, look to reap Asia's harvest this year. Still to be seen by Cannes selectors are "Still Life," by China's Jia Zhangke ("The World" ), "Summer Palace" by Lou Ye ("Suzhou River""Suzhou River" ), South Korean f/xf/x-heavy monster drama "The Host" by Bong Jun-ho ("Memories of Murder" ) and Johnnie To's "Election 2."

    Traditionally, a considerable amount of juggling between sections takes place in the final weeks, and many films have still to be seen by the program committee. Fremaux also may have some real discoveries up his sleeve, though so far his selections seem to tilt toward established names and Cannes regulars.

    Strong candidates for Un Certain Regard, which Fremaux has so far tried to reinvent as the official selections' more challenging sidebar, include South Korea indie drama "The Unforgiven," by first-timer Yoon Jong-bin; Italian thesp Kim Rossi Stewart's directorial debut, "Anche libero va bene"; and Kaze Shindo's "Korogare! Tamako," a manga-esque story about an eccentric young woman suffering from agoraphobia.

    Several titles are not ready for Cannes, including the Steven ShainbergSteven Shainberg-helmed "Fur," a biopicbiopic of '60s photog Diane Arbus, starring Nicole Kidman; Brian De PalmaBrian De Palma's "The Black Dahlia," with Josh HartnettJosh Hartnett and Scarlett Johansson; and "Inland Empire," David LynchDavid Lynch's California-set mystery, with Laura Dern, Harry Dean Stanton and Jeremy Irons. A Studio Canal production.

    Directors Fortnight toppertopper Olivier Pere said his section may also see a drift away from Asia and toward Europe. Already confirmed among the 20-odd titles are Sundance entry "The Hawk Is Dying"; Catalan pic "The Honor of the Knights," a Don Quixote riff by first-timer Albert Serra; and "We Shouldn't Exist" by France's Herve-Pierre Gustave, an autobiographical pic about an adult-movie thesp's attempts to cross over to the mainstream.
    Parece que se cae De Palma, parece que se cae Lynch, otro blockbuster que llevan a promocionar a Cannes... Más y más rumores, aunque parece que hay películas que ya suenan como seguras ("Babel", "The Good German", "El Laberinto del Fauno", "Marie Antoniette", "Fast Food Nation", "The Host"...)

  9. #9
    Senior Member Avatar de nogales
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    Predeterminado Re: Cannes 2006

    lástima lo de Lynch, casi era lo único por lo que esperaba con ansia este Cannes....


    del resto, bueno, BABEL, MARIE ANTONIETTE y poco más...

    Ah, ya cansa tanto francés mediocre enchufado (léase Lucas Belvaux....)
    RECREATIVOS NOGALES!!!!! Si entras, ya no sales!

  10. #10
    aprendiz
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    Predeterminado Re: Cannes 2006

    Hola a todos, estamos muy contentos porque nos ha pasado esto

    Ahora a trabajar mucho para hacer la película y que esté a la altura del precio de la entrada, que el cine está muy caro...

  11. #11
    Baneado
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    Predeterminado Re: Cannes 2006

    ¿The hardme?¿Luiso?

  12. #12
    maestro Avatar de bandini
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    Predeterminado : Cannes 2006

    thehardme...


    La-ruina-de-la-familia

  13. #13
    sabio
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    Predeterminado Re: Cannes 2006

    Yo no me acabo de creer que no vaya a estar Lynch, querrá darle emoción... si el pasado Cannes ya la estaban anunciando como segura para esta edición.

  14. #14
    maestro Avatar de bandini
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    Predeterminado : Cannes 2006

    Molaría que se dejase caer por el festival con la peli.



    La-ruina-de-la-familia

  15. #15
    Mr. Ari Avatar de Ulisses
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    Predeterminado Re: Cannes 2006

    A ver "Marie-Antoniette", la verdad que a mi el trailer me encanta y despues de esos dos peliculones que ha hecho.

    No creeis que "El laberinto del fauno" no va a estar al nivel o solo yo tengo esa impresión.
    ¡Arriba las pestañas!

  16. #16
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    Predeterminado Re: Cannes 2006

    Cita Iniciado por Trelkovsky
    Yo no me acabo de creer que no vaya a estar Lynch, querrá darle emoción... si el pasado Cannes ya la estaban anunciando como segura para esta edición.
    Yo tampoco me lo creo, y tampoco me creo lo de De Palma. Incluso me aventuraría a decir, que igual puede ir hasta Eastwood

  17. #17
    Baneado
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    Cita Iniciado por bandini
    joder, al final somos 4 en 3 foros.

    Espero no dormirme en su peli como él lo hizo en mi corto . No, yo iré con más disposición de ánimo.

    En serio, enhorabuena y me alegro muchísimo. Ya no puede caminar es una maravilla...y La Guerra es muy válida...Berdejo es uno de los pocos que parece que sí...

  18. #18
    sabio
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    Predeterminado Re: Cannes 2006

    VINCENT CASSEL, MASTER OF CEREMONIES OF THE 59TH FESTIVAL DE CANNES

    Vincent Cassel will be the Master of Ceremonies of the forthcoming Festival de Cannes.

    He will launch the 59th edition on May 17, 2006, by welcoming the President of the Jury Wong Kar Wai and his Jury onto the stage of the Palais des Festivals.

    He will equally host the Closing Ceremony, on Sunday, May 28th, at which the Awards will be announced.

    Vincent Cassel was invited for the very first time to the Festival de Cannes in 1995 for Mathieu Kassovitz's Hate, which launched his career and became a cult movie for an entire generation. Considered as the muse of young French cinema, he notably shoots, along with Christophe Gans, Jan Kounen and Jacques Audiard, Read My Lips (2001), which provides him with one of his greatest roles. Vincent Cassel returns to Cannes in 2002 with Gaspard Noé's Irreversible, which sets off a storm of debate amongst audiences and critics alike. In 2004, his part in Ocean's Twelve marks the beginning of his international career.

  19. #19
    sabio
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    Predeterminado Re: Cannes 2006

    Ya queda menos, este jueves se anuncia el programa.

  20. #20
    rohmerin
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    Predeterminado : Cannes 2006

    Paris, je t'aime, que ganas de verla, cuando salga en DVD, claro, que si osan a estrenarla por aqui la pasaran doblada.

  21. #21
    Senior Member Avatar de nogales
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    Predeterminado Re: Cannes 2006

    este jueves!!!

    Se sabe la hora??? :?

    Es que para mi es el acontecimiento cinematográfico del año, ni oscars ni pichas en vinagre, CANNES, eso es el cine. :8)
    RECREATIVOS NOGALES!!!!! Si entras, ya no sales!

  22. #22
    Save Us????? Avatar de chinocudeiro
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    Predeterminado Re: Cannes 2006

    Yo me estoy mordiendo las uñas para la programación

  23. #23
    sabio
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    Predeterminado Re: Cannes 2006

    Es que para mi es el acontecimiento cinematográfico del año, ni oscars ni pichas en vinagre, CANNES, eso es el cine.
    ¿Pero a ti no te gustaba más Berlín hace 3 meses?? :] ¡chaquetero!

  24. #24
    Senior Member Avatar de nogales
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    Predeterminado Re: Cannes 2006

    Cita Iniciado por Trelkovsky
    Es que para mi es el acontecimiento cinematográfico del año, ni oscars ni pichas en vinagre, CANNES, eso es el cine.
    ¿Pero a ti no te gustaba más Berlín hace 3 meses?? :] ¡chaquetero!
    dije yo eso???

    No, seguramente diría que en Berlín es donde se apuesta por un cine mas arriesgado narrativamente, pero vamos, lo retiro, porque en Cannes también se apuesta por eso, solo que está mas compensado, entre ese cine , el de los autores de siempre y el más convencional.
    RECREATIVOS NOGALES!!!!! Si entras, ya no sales!

  25. #25
    Mr. Ari Avatar de Ulisses
    Fecha de ingreso
    20 sep, 03
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    Predeterminado Re: Cannes 2006

    En todo festival, hay años buenos, y años malos, y palmarés dudoso y palmarés acertado.
    De todas formas en Cannes y en Berlin, suelen acertar más que en San Sebastian y sobretodo en Venecia, donde parece que se ponen malos si una peli italiana no se lleva nada.
    ¡Arriba las pestañas!

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