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Tema: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

  1. #101
    Bibliotecario cinéfilo Avatar de Tripley
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    Cita Iniciado por Branagh/Doyle Ver mensaje
    Quiero oír algo de Marianelli ya... ¿le caerá otra nominación?
    Ya veremos.

    Hagamos cuentas: Williams será nominado (Por Star Wars o por la de Spielberg). Desplat lleva dos temporadas sin ser nominado tras su Oscar, algo que seguro que va a reparar con la ayuda de Del Toro y la forma del agua. Zimmer creo que lo estará por Dunkerque (aunque ya veremos, que como ya comenté, bebe mucho de Elgar). No creo que lo esté por Blade runner 2049, (aunque si fuera por hacer otro feo a Johannsson seguro que alguno piensa votarla). Y como cuarto, pues no sé, alguna composición de algún film que entre fuerte, Three Billboards Outside Ebbing, Missouri tiene música de Burwell, que ya sabe lo que es estar nominado (y en mi opinión perder de forma algo injusta), Call me by your name parece que da más importancia a las canciones (no lo incluimos) y Battle of the Sexes cuenta con música de Nicholas Britell, ya nominado el año pasado.

    Por tanto, sí, yo creo que la quinta plaza la puede ocupar perfectamente Marianelli, que con Wright le ha ido muy bien en cuanto a los Oscars.

    Saludos
    Zack, Fincher y Branagh/Doyle han agradecido esto.
    Q: "I'm your new quartermaster"
    007: "You must be joking"
    _______________________

    CLAUDIO: "Lady, as you are mine, I am yours"

    _______________________

    EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

    _______________________

    LA LLAMADA: "Lo hacemos y ya vemos"

  2. #102
    sabio Avatar de Xavier Blasco G
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    Ganazas de volver a ver al mejor Joe Wright. Gary Oldman apunta a los Óscar claramente.
    Fincher y Branagh/Doyle han agradecido esto.
    Aúpa Mickey Rourke.

  3. #103
    gurú Avatar de Brando
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    tomaszapa, Derek Vinyard, Fincher y 1 usuarios han agradecido esto.

  4. #104
    The Resistance Avatar de sammas 1.0
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    tomaszapa, Tripley, Derek Vinyard y 2 usuarios han agradecido esto.

  5. #105
    The Resistance Avatar de sammas 1.0
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    Nuevo Tráiler

    Tripley y Fincher han agradecido esto.

  6. #106
    Watch the Throne Avatar de Derek Vinyard
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    Otro tráiler, "international":




    Doblado:

    tomaszapa, Tripley, Fincher y 1 usuarios han agradecido esto.


    "¿Qué importa como me llame? Se nos conoce por nuestros actos
    ."

  7. #107
    gurú Avatar de Brando
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    Que no sea por Posters, venga, otro


    En Español, estreno 12 de enero
    Última edición por Brando; 28/09/2017 a las 21:15
    tomaszapa, Tripley, Derek Vinyard y 1 usuarios han agradecido esto.

  8. #108
    Smoke and Shadows Avatar de PrimeCallahan
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    Quien iba a decir que Churchill molaba... con Rush de Zimmer sonando de FONDO.
    tomaszapa, Tripley, Fincher y 1 usuarios han agradecido esto.
    MI COLECCIÓN

    Nature has an Order, a Power to Restore Balance... I Believe he Is That Power


  9. #109
    The Resistance Avatar de sammas 1.0
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)





    tomaszapa, Tripley, Zack y 2 usuarios han agradecido esto.

  10. #110
    gurú Avatar de Brando
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    Predeterminado Re: El Instante Más Oscuro (Joe Wright, Darkest Hour, 2017)

    Nueva foto, con Oldman y Mendelsohn
    tomaszapa, Derek Vinyard y Branagh/Doyle han agradecido esto.

  11. #111
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Crítíca de Variety. Cito extractos:

    (...)

    Arriving at a moment when screens are virtually saturated with Churchill portrayals — ranging from John Lithgow’s turn on “The Crown” to theatrical offerings starring Brian Cox and Michael Gambon — “Darkest Hour” is by far the most cinematic, this despite Anthony McCarten’s script, so eloquently theatrical that it conceivably could have been performed on a blank stage. Wright is both a virtuoso filmmaker and a natural showman, interpreting the screenplay as no other director could have possibly imagined it. Since his very first feature, 2005’s “Pride & Prejudice,” he has been reinventing the rules of how period pieces ought to be shot, and “Darkest Hour” is no different.


    Dialing things back from his relatively garish adaptations of “Anna Karenina” and “Pan,” this more elegant film’s style brilliantly marries the classical with the cutting-edge, relying on regular composer Dario Marianelli and his swirling, march-like motifs for much of its energy. Working for the first time with DP Bruno Delbonnel, Wright frames the House of Commons from angles that suggest 18th-century painting, and pushes the contrast to such an extreme that the look — with its deep shadows and near-blinding highlights — recalls black-and-white films of the era. At the same time, he innovates, breaking from the walk-and-talk political-drama template introduced by “The West Wing” (from which “House of Cards” and so many others still borrow) in favor of a more dynamic, omniscient camera, with which he navigates the halls of power.


    Marty_McFly, tomaszapa, Tripley y 3 usuarios han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  12. #112
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Me va a dar algo.
    tomaszapa, Tripley, Zack y 1 usuarios han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  13. #113
    The Clairvoyant Avatar de Fincher
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Spoiler Spoiler:
    tomaszapa, Tripley, Zack y 2 usuarios han agradecido esto.

  14. #114
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Sobre la música de Marianelli (y Zack, tienes otro privado). Solos de piano tenemos de nuevo en abundancia parece ser, cómo en Orgullo y Prejuicio.

    For Joe Wright’s Winston Churchill wartime drama, the director initially suggested solo piano but also, composer Marianelli says, “great propulsion, great momentum forward,” all conveying “the sense of restlessness of the man.”

    Enter world-class soloist Vikingur Olafsson. The Icelandic pianist was “particularly versed in minimalism, with an expressiveness that wasn’t remotely romantic,” Marianelli says. He quickly expanded the scope of the score to be more fully orchestral.

    Rhythmic use of strings permeates “Darkest Hour,” with short motifs that act as “signposts, trying to mark the way or show you where you might be going,” Marianelli says. One associated specifically with Churchill, another a “buildup to war, a vaguely militaristic musical idea with drums and brass.”

    Toughest of all was underscoring Churchill’s final, inspirational “we shall fight” speech, rousing the British to war: “It was six or seven minutes. You start from almost nothing and you build and build.” Worth noting: Marianelli already has an Oscar for “Atonement” and two additional nominations, all for Wright films.




    Pinta glorioso.
    tomaszapa, Tripley, Zack y 1 usuarios han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  15. #115
    Bibliotecario cinéfilo Avatar de Tripley
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Marianelli musicando "la cámara omnisciente" de Wright (parece que lo de Dunkerque fue un ensayo general)

    Saludos
    tomaszapa, Fincher y Branagh/Doyle han agradecido esto.
    Q: "I'm your new quartermaster"
    007: "You must be joking"
    _______________________

    CLAUDIO: "Lady, as you are mine, I am yours"

    _______________________

    EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

    _______________________

    LA LLAMADA: "Lo hacemos y ya vemos"

  16. #116
    Keyblade Master Avatar de TheMadHatter
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Nuevos Clips





    tomaszapa, Tripley, Zack y 2 usuarios han agradecido esto.

  17. #117
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    La banda sonora ya está disponible en streaming legal (Spotify y demás). A darle caña, gente. It´s bloody awesome. ¡Zaaack!
    Tripley y Fincher han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  18. #118
    Phantom Lady Avatar de Jane Olsen
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Me acabo de enterar de la existencia de esta película. ¡Mola ..!
    Tripley, Fincher y Branagh/Doyle han agradecido esto.
    "There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".

    "Beneath your dancing feet are the tombs of tortured men -thus does the Red Death rebuke your merriment!"

  19. #119
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)




    Tripley y Fincher han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  20. #120
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    1. Prelude 2:25
    2. Where Is Winston? 2:43
    3. Full English 1:59
    4. A Telegram From the Palace 1:43
    5. One of Them 1:33
    6. Winston and George 3:15
    7. First Speech to the Commons 3:36
    8. The War Rooms 2:45
    9. From the Air 1:25
    10. I Wouldn't Trust Him With My Bicycle 1:57
    11. Radio Broadcast 3:05
    12. History Is Listening 2:34
    13. An Ultimatum 1:28
    14. Dynamo 2:37
    15. We Must Prepare For Imminent Invasion 3:03
    16. The Words Won't Come 2:17
    17. Just Before the Dawn 2:14
    18. District Line, East, One Stop. 3:52
    19. We Shall Fight
    . 7:26
    Tripley y Fincher han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  21. #121
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Fincher ha agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  22. #122
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)







    Tripley y Fincher han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  23. #123
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Madre mía, madre mía, madre mia...
    Tripley y Fincher han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  24. #124
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Jane, sé que opinas de la mayoría de la música de cine actual. A la basura. Ahora escucha el ultimo corte de los que he puesto.
    Tripley ha agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

  25. #125
    Campanilla, THE WOMAN Avatar de Branagh/Doyle
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    Predeterminado Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)

    Fincher, ya me contarás.
    Tripley y Fincher han agradecido esto.
    To orchestrate is like a thumbprint. People have a style. I don’t understand it, having someone orchestrate for you. It would be like someone putting color to your paintings.
    The trouble is, good composers, when they do a film, for some reason or other, they’re brainwashed, and they write rubbish. They’re afraid to write. The only one I know who doesn’t is Copland. Korngold also. But generally they say, “This is the Hollywood style, let’s write for it.” Of course that’s all wrong, what they do.

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