Cuál? ésta?
Spoiler:
(no me malentiendan, es que soy muy mentiroso)
Cuál? ésta?
Spoiler:
(no me malentiendan, es que soy muy mentiroso)
esa, esa!!
Ya hombre, se entiende
Spoiler:
A esas chicas les encanta que les mientan
Nuevo banner... con Superman
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Por lo visto ese banner es fake. Sacado de aqui: https://saintaldebaran.deviantart.co...er-4-671210731
Un doblaje para una película para estas características no se hacen una o dos semanas antes del estreno, una semana o dos antes del estreno están dobladas. La copia para los doblajes para este tipo de películas cuando llegan a los estudios , la película no está terminada, doblan con fondo azul y verde y a veces solo ven las bocas de los actores y actrices cuando hablan y no ven más. Si la película se estrena el 17 de noviembre, el doblaje comenzaría en octubre a mediados, más o menos. Por poner un ejemplo, Star Wars episodio VII se estrenó el 18 de diciembre de 2015, y se empezó a doblar en España y en el resto de países de la Unión Europea a principios de noviembre.
Un saludo.
Última edición por Triplo; 22/09/2017 a las 13:13
La gente miente, las pruebas no (Gil Grissom)
Ánimo y fuerza a todos los que voluntariamente quieran escuchar el doblaje de Wonder Woman (por lo que he escuchado en un trailer). Estamos con vosotros
Ahora en serio, Gal Gatot hace poco con Conan O'Brien:
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Las primeras predicciones hablan de un primer fin de semana sobre los 150 millones. Por supuesto, es muy pronto puesto que ahora queda la fase principal de la promoción, donde el interés por la película puede despegar o no, y sobre todo, el tristemente famoso porcentaje de Rotten Tomatoes que hoy en día tiene tanta relevancia.
https://www.comicbookmovie.com/justi...eading-a154036
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
La salida fuerte está más o menos asegurada. Sea de 120 ó de 180 (por poner lo que sería una buena pero escasa y una muy buena), estará ahí por el tipo de película que es y los precedentes. Mi apuesta eran 172M.
El problema es el multiplicador. BvS salió con con 166M, que sería una muy buena salida para Justice League, y se quedó en un muy escaso x1.9.
Justice League debería irse a un x2.5 o más para obtener un éxito notable (partiendo de una salida de por ejemplo esos 150M) y para mí la chicha sería un multi entorno a 2.75.
Y si es el x3 de The Avengers ya lo bordamos.
(el x4 de Wonder Woman es otra historia porque esa película no fue tan de salida frontal como será JL y otras que tienen ya mucho fan previo)
Última edición por Synch; 23/09/2017 a las 17:27
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Promo especial para Japon
Adoro esto de los famosos en Kimmel leyendo tuits de gente que básicamente les dice de toto
(Gal Gadot es la primera)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
El de Jennifer Lawrence es el mejor.
Jajaja, buenísimos. No lo había visto nunca.
Yo he visto algunos de estos videos de famosos, pero subtitulados en cristiano y sí, son divertidos .
Lo Emma Watson es que yo creo que es verdad
Parece que Danny Elfman grabó la BSO de Justice League la semana pasada en Londres:
'And finally there was Danny Elfman talking with journalist Melinda Newman about his career and his approach to scoring. There were great stories about his beginnings as a film composer (being in totally over his head), about director's love for their temp track (I love what you did there but I was so moved by that piece on the temp...). He also talked a little bit about Justice League which was recorded last week in London. He talked about the work doing the mock-up and that the samples for a particularly moving sequence just didn't do justice for what he intended so he persuaded the producers to hire a string orchestra to embellish the mock-up. Let's just say that I am really looking forward to that score.'
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Parece que otro trailer de JL podría debutar en breve. O con Blade Runner 2049, o en la NYCC o cuando Gadot acuda al programa de Jimmy Fallon el próximo jueves.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Geoff Johns ha reconocido que ha habido varias proyecciones de prueba con público, y ha desvelado que una de las conclusiones es que el Flash de Ezra Miller es uno de los personajes favoritos de los espectadores. Me alegra saberlo. Miller me parece muy buen actor, pero tenía mis dudas sobre si habrían dado en el clavo con su personaje.
https://www.comicbookmovie.com/justi...enings-a154125
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Pues ojalá, porque éste Flash no me convence mucho a simple vista.
Entrevista a Danny Elfman
-You’ve just been in London recording the score for Justice League. It’s been 28 years since you scored Batman. What was it like going back into the DC universe?
It was great. It was like I never left because I’m using the same thematic material that I used back then. It never actually went away [Laughs.] It just was great fun.
There are a few little fan moments. I instated a moment of the Wonder Woman theme that Hans Zimmer did for Batman Vs. Superman, but I also had two minutes where I had the pleasure of saying, “Let’s do John Williams’ Superman.” and that for me was heaven, because now I have a melody to twist, and I’m using it in an actually very dark way, in a dark moment. It’s the kind of thing that some fans will notice. Some won’t. It’s a moment where we’re really not sure whose side he’s on.
The people at DC are starting to understand we’ve got these iconic bits from our past and that’s part of us, that’s part of our heritage -- we shouldn’t run away from that. Contemporary thinking is, every time they reboot something, you have to start completely from scratch -- which, of course, audiences will tell us again and again, is bullshit. Because the single-most surviving and loved theme in the world is Star Wars, which they had the good sense to not dump for the reboots. And every time it comes back, the audience goes crazy.