
Iniciado por
DVD Talk
The original theatrical cut of Alexander was first unveiled on DVD in Asia a few months ahead of the domestic release (see this review of the Hong Kong DVD). Now viewers in Region 1 have their choice of separate editions for the 175-minute Theatrical Cut or a new 167-minute Director's Cut. Yes, that's right, the Director's Cut is shorter than the theatrical cut. For the new version, Oliver Stone has excised approximately 17 minutes from the old version and reinstated 9 minutes of new footage. More importantly, he's also shuffled around the order of many of the existing scenes. The packaging declares this new version is "Newly inspired, faster paced, more action packed!" Unfortunately, in his attempt to make the movie more palatable to audiences with short attention spans and homophobic tendencies, Stone has done the movie a great disservice.
The Director's Cut of the film is, quite simply, a mess. It wouldn't have been so bad if Stone had simply added new footage on top of the old cut. Most of the new scenes, though generally superfluous, don't harm the movie at all. The problem is that removing many bits of important character development that were deemed "too gay" by audiences has deprived other remaining scenes of their proper context. The quasi love story between Alexander and Hephaistion is still a big part of the movie, but now the scenes they have together actually seem more melodramatic than before. Rather than the intended effect of toning down that aspect of the movie, Stone has unintentionally made it more histrionic and "gay" than it previously was.
Even more damaging are the major structural changes that Stone has imposed on the film. The original theatrical cut featured a curious but somehow effective decision to skip past an important part of Alexander's young life and flash back to it later. This confused some viewers, but rather than straighten it out the director has decided instead to do a lot more of the same. I suppose he was trying to make the movie more Oliver Stone-ian. The result is that the movie now jumps backwards and forwards through Alexander's life all the time. We're constantly inundated with on-screen text identifying certain scenes as taking place "10 Years Earlier", "9 Years Earlier", "1 Year Later", and "9 Years Earlier" again (which, if we're trying to keep track, means that it's 1 year after the last "9 Years Earlier"). Stone may have assumed that making the film a lot less linear overall would get audiences used to the flashback structure, but all he's succeeded in doing is making the movie more confusing and dramatically inert.
The intent of the restructuring is to draw blunt parallels between Alexander's young life and the events that happen to him later, but the story was more elegant and effective before. The new ordering of scenes rarely makes much dramatic or tonal sense, and the choppiness very much harms Colin Farrell's already fragile performance, making his shifts in tone from scene to scene seem less like a continuous progression and more like an actor who can't get a grip on his character.
As for the new cut being "faster paced" and "more action packed", that is pure marketing hyperbole. I detected no change at all to the action footage in the movie. Skipping past some of the early scenes in Alexander's life allows us to jump right into the first major battle a lot sooner, but without the proper foundation establishing the character that scene doesn't feel earned. We also aren't given enough time to get used to Farrell playing the older version of the character. The movie is shorter, but it is certainly not faster paced. In fact, the continual jumps back and forth in time quickly become tedious.
After the savaging he received from both critics and audiences, I can't blame Oliver Stone for wanting to impose some drastic changes on the movie. The old cut certainly could have used some prudent trimming and tightening. However, I think Stone has made a series of bad decisions that may have seemed to make sense intellectually but just don't work dramatically. The Director's Cut is inferior to the Theatrical Cut.