Última edición por sammas 1.0; 02/10/2024 a las 20:15
Me he quedado con el c... torcido al ver a Daniel Day-Lewis. En fin, habrá que seguir el proyecto y ver de que va la cosa
.
Parece que Daniel Day-Lewis volverá a ponerse delante de la cámara en Anemone, proyecto que dirige su hijo Ronan Day-Lewis y que han escrito juntos. En el reparto parece que también están Sean Bean, Samantha Morton, Samuel Bottomley y.
https://www.hollywoodreporter.com/mo...an-1236019335/
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Ahora caigo que Ronan es nieto de Arthur Miller (su madre es Rebecca Miller).
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Pues parece que entonces este film es el de este hilo.
Mas que nada porque en las fotos publicadas ayer se ve a Day-Lewis con Sean Bean en el rodaje.
Saludos.
Siempre ha sido leal a sus seres queridos a la hora de contar con su presencia en sus proyectos. Ya paso en 2005 cuando su mujer le pidió que protagonizara uno de sus films como directora:
Creo recordar que en esa ocasión también había insinuado que dejaba su carrera como actor tras su participación en "Gangs of New York" dos años antes. Esperemos que esto resulte también en que podamos verle en más proyectos en un futuro...
Un saludo.
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Nuevos detalles del film:
Ronan Day-Lewis, el hijo de Daniel, está haciendo su debut como director de la película y coescribió la película con su padre.
La película se describe como una exploración de las intrincadas relaciones entre padres, hijos y hermanos, así como de la dinámica de los lazos familiares.
Sean Bean, Samantha Morton, Samuel Bottomley y Safia Oakley-Green protagonizarán junto a Daniel Day-Lewis.
![]()
Primera imagen oficial:
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Premiere en el festival de Nueva York
Sinopsis oficial:
Three-time Oscar winner Daniel Day-Lewis roars back to the screen for his first role in eight years in this absorbing family drama directed by Ronan Day-Lewis about lives undone by seemingly irreconcilable legacies of political and personal violence. Co-written by father and son, the Northern England–set Anemone begins as a middle-aged man (Sean Bean) sets out from his suburban home on a journey into the woods, where he reconnects with his estranged hermit brother (Day-Lewis). Bonded by a mysterious, complicated past, the men share a fraught, if occasionally tender relationship—one that was forever altered by shattering events decades earlier. An emotional powerhouse, this directorial debut is assured in both small details and grand gestures as it charts the path toward familial redemption against all odds. In addition to its unflinching lead performances, Anemone features standout supporting work from Samantha Morton and Samuel Bottomley, and sensationally expressive widescreen cinematography by Ben Fordesman. A Focus Features release.
Un ermitaño que vive en lo más profundo del bosque.
¿Es eso lo que ha estado haciendo Day-Lewis los ultimos ocho años, vivir en un bosque alejado de la sociedad, preparandose para este papel?
Es capaz de eso, eh.
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Actor de método, ya sabes
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Lo de sensationally expressive widescreen cinematography me hace tener muchas ganas de ver esto.
Igual Day-Lewis Jr da la sorpresa y la pelicula es estupenda.
Que haya co-escrito el guión con su padre me parece precioso.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
El trailer me ha dado miedito, hasta Day-Lewis veSpoiler:
Ya veremos si lo que me ha hecho pensar, dramón a lo Jim Sheridan + toque fantástico lo consigue plasmar Day-Lewis hijo en pantalla.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Pero...esto pinta a peliculaza. Un drama psicologico rural irlandes... ¿con tintes sobrenaturales? sobre las relaciones familiares.
Y esa fotografía...
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Comienza en breves el festival de Nueva York, y ya el día 28 se verá por primera vez esta película, a ver qué tal las primeras reacciones
"I can choose to do with my property whatever I so desire" (Calvin Candie)