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Re: Asesinato en el Orient Express (Kenneth Branagh, 2017)
Michael Caine es brutal. Aún recuerdo su memorable narración de su intrincado sistema de elección de guiones:
I sit in a nice, comfortable chair and I read the script they want me to consider. I read the first page, then I read the last page, and if the part they want me to play is on both pages I do the fucking picture
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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