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Re: Asesinato en el Orient Express (Murder on the Orient Express, 2017, Kenneth Branagh)
¿Y el comentario de Zack?: Una de dos, o no la has visto, o no te ha gustado nada de nada. No sé qué es peor...
Última edición por Branagh/Doyle; 26/11/2017 a las 23:25
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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