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About LinkBacksMira, Jane:
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Re: Atrapado por su pasado (Carlito's Way, 1993)
Mira, Jane:
"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
Re: Atrapado por su pasado (Carlito's Way, 1993)
O la escena de la escalinata en Los intocables, sin ir más lejos. Éso es El Acorazado Potemkin. Hasta en una peliculita chorra/cachonda/farsesca, como pueda parecer El Fantasma...se nota que De Palma ha visto mucho cine y que además, lo que es más difícil, lo ha asimilado:
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Re: Atrapado por su pasado (Carlito's Way, 1993)
Iniciado por Jane Olsen
Por eso digo que la obra de De Palma tiene mucho valor, aunque muchas veces el guión sea aparentemente chorra.
Última edición por Branagh/Doyle; 04/08/2017 a las 15:06
"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
Re: Atrapado por su pasado (Carlito's Way, 1993)
Yo reivindico siempre que puedo su Raising Cain, de la que Shyamalan bebe mucho en su última peli.
A todo esto, ¿podríamos pasarnos al hilo de DePalma, no? Que a mí no me importa, pero si hablamos del resto de su filmografía me parece más propio.
Re: Atrapado por su pasado (Carlito's Way, 1993)
"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
Re: Atrapado por su pasado (Carlito's Way, 1993)
"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
Re: Atrapado por su pasado (Carlito's Way, 1993)
Bueno, esas que mencionas están entre las buenas, pero tiene otras realmente malas (recuerdo una reciente con Antonio Banderas que era una absurdez).
Ya digo que siempre ofrece cosas interesantes desde el punto de vista formal, pero es que sus tropezones son míticos. Cuando se cae, se cae del todo.
Por otro lado, hay películas en que su planificación parece estar por encima de los medios económicos o de personal. Por ejemplo, El fantasma de la ópera tiene grandes ideas visuales, sí, pero están ejecutadas de un modo algo cutre. La fotografía, la cámara... se ve que no están a la altura de lo que él tenía en la cabeza.
De todos modos, con sus grandes obras le perdono todo. Sólo por hacer Atrapado por su pasado ya habría valido la pena su paso por el cine.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
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