¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.No tengo problema con las pelis largas, pero en Dune eché de menos el pañal para adultos durante la última hora![]()
Las 5 horas del Novecento de Bertolucci.
O las casi 6 de la Guerra y Paz de Bondarchuk.
Ningún problema.
Cameron ha charlado recientemente con Empire.
“The Avatar films themselves are kind of all-consuming,” Cameron admits. “I’ve got some other things I’m developing as well that are exciting. I think eventually over time – I don’t know if that’s after three or after four – I’ll want to pass the baton to a director that I trust to take over, so I can go do some other stuff that I’m also interested in. Or maybe not. I don’t know.” Previously, Cameron handed across Alita: Battle Angel – a project he long planned to adapt for the screen – to director Robert Rodriguez, while remaining on board as executive producer and co-writer.
Still, Avatar is Cameron’s own world – and he sounds particularly enthused about where the story goes in the later movies. “Everything I need to say about family, about sustainability, about climate, about the natural world, the themes that are important to me in real life and in my cinematic life, I can say on this canvas,” he explains. “I got more excited as I went along. Movie four is a corker. It’s a motherfucker. I actually hope I get to make it. But it depends on market forces. Three is in the can so it’s coming out regardless. I really hope that we get to make four and five because it’s one big story, ultimately.”The saga is only just beginning – let James Cameron’s next epic vision commence.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
No llevo siguiendo el proyecto al 100% por eso pregunto ¿esta tendrá alguna tecnología 3D en cines que sea revolucionaria? O será el mismo 3D de la primera parte.
No hay ninguna tecnología 3D "revolucionaria". La estereoscopía en si es la que es...ojo izquierdo y ojo derecho. No vas a ver cosas en 3D flotando y moviendose por la pantalla, para eso está la VR.
Ahora, la principal novedad del asunto es el HFR y el HDR. Veremos en que resulta todo esto luego en exhibición (me lo imagino, solo dos o tres cines en España tendrán el potencial de poder exhibir una versión HFR 3D con HDR).
Consejo, buscar la pantalla más luminosa y mejor que podáis, luego vendrán los lloros de "se ve muy ojcura" junto a los "es mu larga"
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Última edición por horner; 07/07/2022 a las 02:37