Bien por Miranda y su pequeña muestra de autores y partituras de referencia.
Lo del clavicémbalo pues... entraba dentro de las posibilidades. Hay gente receptiva y gente que no lo es, llámese productores o lo que se quiera.
Bien por Altozano, parodiando el vídeo del pitoniso aquél que colgó el vídeo aquél suyo y el de chavalín dirigiendo la orquesta.
Para todo lo demás, echo de menos a Quino, que se nos ha ido este año de forma sigilosa, él lo hubiera queido así, en contraste con el follón y el caos que se ha armado con el caso de su compatriota Maradona -en plena COVID19. Desgraciadamente, me temo que va a haber una tercera ola; ojalá me equivoque.
Y que Forges es y fue un auténtico regalo para todos, con su muestras de cariño, sana ironía y forma de ver la vida. Te scaba una sonrisa aunque todas las noticias de las semana fuesen de desastre en desastre y de esperpento en esperpento.
https://i1.wp.com/matematicascercana...00%2C227&ssl=1
Aquí, un descubrimiento reciente de una banda sonora de una miniserie francesa que me ha dejado satisfecho y me ha estimulado la imaginación y la atención; el porqué, en las líneas técnicas y de forma de aproximación al relato:
https://www.musicbox-records.com/152.../signature.jpg
MUSIC BOX RECORDS proudly presents the premiere CD release soundtrack of acclaimed TV series Hervé Hadmar's Signature composed by Éric Demarsan (Jean-Pierre Melville's Army In The Shadows and The Red Circle).
Broadcasted on French channel France 2 in 2011, the thriller TV series was created by screenwriter Marc Herpoux and director Hervé Hadmar starring Sami Bouajila, Sandrine Bonnaire, Sara Martins, Jan Hammenecker and Féodor Atkine.
The action takes place on the mysterious Reunion Island. Toman (Sami Bouajila), a former feral child, witnessed the murder of his parents in ''the lost valleys'' at the centre of the island. Today, Toman is now thirty-three. lliterate, he can’t stand violence against children. He kills those who do them harm. Toman buries his victims in his own personal graveyard: a cave hidden behind a waterfall, deep in the heart of the island. Daphné (Sandrine Bonnaire), a famous metropolitan reporter, came to the island to find a mysterious stranger and investigated the last victim of Toman...
Drawing inspiration from Morton Feldman, Toru Takemitsu or even Howard Shore, Éric Demarsan composed a very atmospherically rich and dark music. On the score for Signature, Hadmar said: “We discuss the orchestration with Éric. I talk of ''woodwinds'' and ''wind instruments''. So many avenues for various possible types of instrumentation. I talk about illiteracy and Toman’s social breakdown. To me, the music to accompany his dash through the forest in pursuit of his victims should betray this dissolution. We bring up Herrmann and Bartók both at the same time. Éric quickly comes up with the ''hunt motif'': a short harmony repeating three or four times in a decrescendo and reminiscent of an echo. The echo of the hunter’s internal radar. The echo of Toman’s gaze as he loses himself in the forest, in search of his prey. Toman generates from this a rough, unstructured musical piece... Thanks to the part of Daphné, the melody, even if not quite exuding happiness, allows some sunlight to be shed in the six episodes of the series. ”