Esperaba un completo desastre, pero las reseñas hasta ahora están bastante tibias, si acaso inclinándose a positivas.
Dado que Oppenheimer nunca me atrajo, creo que siempre si le daré una oportunidad a la muñeca.
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Esta tarde la veo En el estreno. Que está my LOVE en ella ♥️❤️❤️♥️♥️
I LOVE you, Helen ♥️♥️❤️❤️
I LOVE Helen Mirren❤️♥️❤️♥️❤️♥️❤️
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Lady Bird. La pajarraca. Define bien a su directora. Dirección funcional (y gracias) de un libreto petardo con ínfulas. Adolescente que tiene dos hostias con la mano abierta pero que se cree especial. La nueva Juno, olvidada en tres meses.
Con Greta no nos vamos a poner de acuerdo pero te quiero igual.
Pero vaya, ya estoy leyendo que aquí "se supera" con creces. Glup. Disfrútala.![]()
Última edición por BruceTimm; 20/07/2023 a las 13:31 Razón: Abrazo
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
Han: Together again, huh?
Luke: Wouldn't miss it.
Han: How we doin'?
Luke: Same as always.
Han: That bad, huh?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Desplat de notable en aquella.
Su libreto jugando con el orden cronológico de las escenas es una memez y la adaptación de Cukor le da mil vueltas en todos y cada uno de los fundamentos cinematográficos.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
Han: Together again, huh?
Luke: Wouldn't miss it.
Han: How we doin'?
Luke: Same as always.
Han: That bad, huh?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Elijo la que más lo merece atendiendo a la adaptación que nos ocupa. A mi criterio.
Guerra y paz es otra historia. Ahí ya pierde mi espada.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
Han: Together again, huh?
Luke: Wouldn't miss it.
Han: How we doin'?
Luke: Same as always.
Han: That bad, huh?
Coño, ese es Vidor, no Cukor (Guerra y Paz). ¡Es el calor!..
De Mujercitas, , la del 94 está medio bonica, la de Gerwig es deliciosa y la de Cukor la recuerdo como un aburrimiento.
Pero voy a revisar.
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
¿Sabes donde si vamos a estar de acuerdo, creo yo?.
En la Guerra y Paz soviética, la del 65. La peli de Bondarchuk es de las que justifican el cine como arte.
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
Han: Together again, huh?
Luke: Wouldn't miss it.
Han: How we doin'?
Luke: Same as always.
Han: That bad, huh?
Qué os ha parecido Guerra y pa… digo Barbie?
Spoiler:
Mi sala semi-dedicada en Sótano :
http://www.mundodvd.com/mi-sala-de-c...ta-rojo-123087
Mi colección de BDs:
https://www.blu-ray.com/community/co...n.php?u=381214