si lees el mensaje ya digo que Nimh es de UA, pero con el dato de la Bella y la Bestia, quería indicar que no fue hasta unos años después que el doblaje peninsular se hizo norma en el cine de animación. Fievel y el nuevo mundo también se estrenó, por ejemplo, con doblaje neutro.

BALBOA, por lo que veo (javibl dixit) se esperan para este próximo 29 la edición de otros dos títulos del maestro Bluth. Pensaba abrir un hilo pero he preferido ponerlo en el tuyo para completar información y no sobrecargar el foro. Si estas de acuerdo y no es molestia podrías cambiar el título con alguna referencia a DON BLUTH EN HD y unimos la información.

Perdóname, Atticus, no había visto tu post hasta hoy

Y por supuesto, no tengo inconveniente alguno en que se adapte el título del hilo, faltaría más, y gracias por el apunte


La edición española que previsiblemente se editaría el 16 de marzo ha sufrido un ligero retraso y se lanzará el 6 de abril

Por cierto, según este primer análisis la calidad no es precisamente la que estábamos esperando

Review: http://www.dvdmoviecentral.com/Revie...astasia_bd.htm


Saludos...

Pues el jueves pasado estuve en el MM de Rivas y ya estaba a la venta!!!!!

Iniciado por Aldo79

Pues el jueves pasado estuve en el MM de Rivas y ya estaba a la venta!!!!!

Perfecto, gracias por el apunte. Resulta que en otras tiendas aún la tienen disponible a partir del 6 de abril...

Bueno, van apareciendo más análisis y, sin llegar a ser de referencia, sí parece ser una buena edición:


Review: http://www.blu-ray.com/movies/Anasta.../20074/#Review

Interesantes declaraciones de Gary Goldman sobre el BR de Nimh:

Parece que habrá auténtico granito cinematográfico

"I haven't seen the final NIMH, nor Anastasia's Blu-ray transfer on DVD. However, there is a digital master of Anastasia (it was shot digitally, in the computer and transferred to film for its release in 1997), and I'm sure they used the digital master and not a film element. The inter-positive film print for The Secret of NIMH, or intermediate protective master (made from the original film negative) was physically cleaned before we started the transfer. However, every film has imbedded dirt and dust in the images of every frame, not just dust residing on the surface of the film. And, The Secret of NIMH was shot on 35MM film, way before digital filmmaking. I personally supervised the initial color-correction transfer from film to the digital high definition Blu-ray format, but whatever debris was in the film image was transferred to the digital master. The next process was to digitally clean the new digital master of residual negative film dirt, dust and possible scratches, which I was unable to remain in LA to supervise, nor was I offered the opportunity. I was very concerned because I knew that MGM/UA was not going to spend the kind of money it takes to do a thorough digital cleaning pass - like Disney has done with the recent Diamond Edition Bambi release, which probably took months and, in excess of a million dollars to make it look so pristine. Though the colors on their Blu-ray remasters seem to have been saturated way beyond the original colors. We noticed the color issues first on the Blu-ray release of Alice in Wonderland. Alice's dress is no longer Robin's Egg Blue, instead is much brighter and actually a different color of Blue from the original film. What many people do not understand is that when you upgrade to a much higher resolution, the film dust, dirt and scratches become extraordinarily visible to the naked eye. I know that what Disney does for their classics is go back to the original negative and transfer it digitally at a full 4000 pixels (film resolution - FYI Television resolution is around 525 pixels about 25% of film resolution, so video and the older DVD imagery is very soft compared to HD or film imagery). This high res transfer allows the computer operator to easily find all of the flaws imbedded in each individual frame of the film. It's not just running the digital print thru some sort of electronic dust/dirt/scratch filter. Though, that is part of the process, but that process only removes the most prevalent and obvious specs. Someone has to remove the tiny, faint "dirt" specs from each and every frame. When I asked about their process, they told me that the process would probably not be as extensive as I had asked for, that they would probably spend no more than three days to a week. No studio takes their animated films' preservation as seriously as the Walt Disney Company, well maybe DreamWorks. Mr. Katzenberg knows the value of the animated film, and preserving it for future releases on new and better viewing devices. I'm sure that when I get my Blu-ray copy of The Secret of NIMH, I will especially be looking at the digital cleaning job that they did. (Deleted passage) -thank you for your inquiry. Best, Gary"