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Re: Bumblebee (Travis Knight, 2018)
Si acaso, el Balfe de Geostorm o el Djawadi de Great Wall o Game of Thrones (sin pedir peras al olmo, el de Westworld)Iniciado por Branagh/Doyle
Aunque seguramente su música sea considerada demasiado clásica/antigua/elaborada/ y rechazada semanas antes del estreno. Entonces Lorne Balfe o Djawadi parchearán el asunto a toda velocidad.
Re: Bumblebee (Travis Knight, 2018)
Y espérate, que Balfe está haciendo la nueva misión imposible. No he escuchado Ghost in the Sell, dicen que no está nada mal.
Tengo mucha curiosidad por escuchar la música de acción de Marianelli.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Bumblebee (Travis Knight, 2018)
Espero que mejore despues de su aportacion a Pacific Rim, a AÑOS LUZ del de Ramin Djawadi. Y Ghost In the Shell de lo mas decente escrito y funciona estupendamente en la (muy infravalorada) pelicula.
Re: Bumblebee (Travis Knight, 2018)
¿Donde está Tripley?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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