Un personaje capital en el siglo XX, esperemos que sepan darle emoción y no sea una historia demasiado académica, veremos si saben plasmar todos los entresijos de sus decisiones en la guerra.
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Un personaje capital en el siglo XX, esperemos que sepan darle emoción y no sea una historia demasiado académica, veremos si saben plasmar todos los entresijos de sus decisiones en la guerra.
"Es peligroso, Frodo, cruzar tu puerta. Pones tu pie en el camino, y si no cuidas tus pasos, nunca sabes a dónde te pueden llevar" -Bilbo Bolsón-
Por aquí la ponen a caer de un guindo:
http://www.rogerebert.com/reviews/churchill-2017
Y no ya porque digan que es mala película, sino porque parece que tergiversa directamente hechos históricos referentes a la preparación del desembarco de Normandía:
Saludos
Última edición por Tripley; 02/06/2017 a las 21:17
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Tenemos esta sobre Churchill, y la de Wright próximamente. Brian Cox vs Gary Oldman. Me gusta.![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Bueno, yo me refería a que tanto Oldman cómo Cox me parecen grandes actores.
, Tripley
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Sí. ambos grandes intérpretes.
Saludos
Última edición por Tripley; 02/06/2017 a las 21:55
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"