"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pues claro que las palabras de Gunn para Rolling Stone hacen referencia a ese post de Reddit. Eso es lo que Marty comenta en su primer post, luego enlazar ambas cosas no supone ninguna relación peregrina ni cogida con pinzas que se ha sacado a posterior de la manga para salir del paso.
Otra cosa es que discrepes con el en la interpretación que hace de las palabras de Gunn.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Juan 2:18 “Hijos, ya es el último tiempo; y según vosotros oísteis que el anticristo, viene, así ahora han surgido muchos anticristos, Co-CEOs y lideresas; por esto conocemos que es el último tiempo.”
Juan 2:22 “¿Quién es el mentiroso, sino el que niega que el Batman de Reeves está cancelado? Este mentiroso es el anticristo.”
Juan 4:3 “Y todo espíritu que no confiesa que el Superman de Gunn apunta mal, no es de Dios; y este es el espíritu del anticristo, del cual habéis oído que viene, y que ahora ya está en el mundo, como Co-CEO.”
Juan 1:7 “Porque muchos engañadores han salido por el mundo, que no confiesan que han venido a destruir. Quien esto hace es el engañador y el anticristo.”
Tesalonicenses 2:3-4 “Nadie os engañe en ninguna manera, ni os dejéis provocar por infames; porque no vendrá sin que antes venga la apostasía, y se manifieste el hombre de pecado, el hijo de perdición, el cual se opone y se levanta contra todo lo que es objeto de culto; tanto que se sienta en el templo de Dios fingiendo ser Dios, haciéndose pasar por Dios, sin serlo.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Última edición por Branagh/Doyle; 17/06/2025 a las 14:43 Razón: Me comí una línea
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
La guasa de un malagueño nunca llega ni tarde ni pronto. Llega exactamente cuando se lo propone.
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RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pfff. Me tienes contento. Ni siquiera reseñaste Megalopolis en condiciones, más allá de decir "bastante bien, pero tengo que reposarla y verla otra vez porque es bastante extravagante. Eso si, da la sensación de que falta metraje".
Eso es todo lo que hasta la fecha has escrito sobre el film. Que está bien, yo con saber que te gustó pese a los problemas que le ves ya voy bien.
Eso por un lado. Y por otro... ¿has visto la serie de Obi Wan ya? Que te estamos esperando...
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Última edición por Branagh/Doyle; 17/06/2025 a las 14:49 Razón: Errata
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Para el estreno de Superman ya estará, aparte de entusiasmado (), disponible para disfrutar del momento (
), y sobretodo de las críticas y opiniones ajenas
.
Sé que BruceTimm es muy firme con sus ideas, convicciones y no patrocina según que propuestas, así que quizás tengamos que esperar al streaming para poder ver su análisis y crítica, la cual esperaré expectante.
"Es toda una experiencia vivir con miedo, ¿verdad? Eso es lo que significa ser un esclavo".
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Mi Bruce (), no fue al cine a ver la última entrega del Poirot de Branagh al cine aún teniendo ganas de verla exclusivamente por una cuestión de principios (la productora era Disney). Teniendo esto en cuenta, de ninguna manera va a PAGAR para ver el Superman de James Gunn en cines. La única posibilidad que existe -y es remota- de que pase por sala con este título es si algún ser querido o amigo le dice que le gustaría ir a ver la pelicula con el.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Madre del amor hermoso...
Me recuerda a Venom, un "mal" que va de huésped en huésped según muere (o es baneado) el anterior... Uno cae, pero otro toma el testigo en formas y contenido. Es como en una película de serie B barata... LOL
Charrán
Del ár. hisp. *šarrál 'vendedor de jureles'.
1. adj. Persona poco fiable, aprovechada o que actúa con picardía o engaño. Sinvergüenza, caradura o estafador.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)