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Puedo entenderlo, aunque en el caso de Hellboy, Del Toro fue quien escogio a Elfman.
Pero me referia a los casos obvios de Brian Tyler en Age of Ultron y Junkie XL en Justice League (el caso de Age of Ultron es un Frankenstein musical que Feige combinaba el material escrito por Tyler -que escribio partitura entera para el filme- y el de Elfman -que tambien escribio partitura entera para el filme-, al final, Feige cogio y mezclo los trabajos de ambos compositores)
Y desde luego, el Doctor Strange de Giacchino es su mejor trabajo en el MCU, de largo.
Pero ¿Elfman llega por decisión de Raimi o de Feige? Porque creía que era cosa de Raimi.
Viendo la música de Doctor Strange, que menos que darle otra oportunidad.
Dando por hecho que no se reciclará nada de la primera, me gustaría ver al Elfman más gótico de los noventa, pero supongo que será mucho pedir...
Raimi+Elfman, qué buenos recuerdos...
Estooo... Feige, ¿seguro que no puedes intercambiar directores entre Dr. Strange 2 y Spider-man 3?![]()
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Es curioso, pero mientras que de otras producciones Marvel en rodaje ahora mismo ha salido alguna que otra foto (tampoco muchas, la verdad), de esta no hay absolutamente ninguna imagen. O se está rodando todo completamente en estudio, o han conseguido un secretismo completo respecto a ello.
Creo que va a haber muchas sorpresas en esta peli....
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Danny Elfman usara el tema de Michael Giacchino
https://composer.spitfireaudio.com/e...tes-tim-burton
We’ll definitely refer to his original theme, and I’ll no doubt be coming up with new motifs for new situations and characters. I'm not going to ignore it. I don't believe in that. There's this weird thought process in Hollywood every time you do something new that you’ve got to let the original musical themes go and start fresh. I think that doesn't serve an audience well. So I like doing variations on a theme that I know for a character that an audience already associates with them. I think that's important. When I did Avengers: Age of Ultron, I was very careful to find places to play around with Alan Silvestri’s theme. And I enjoyed it.
There's this weird thought process in Hollywood every time you do something new that you’ve got to let the original musical themes go and start fresh. I think that doesn't serve an audience well.
Todavía me acuerdo de Hellboy 2...![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.