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Re: Dunkerque (Dunkirk, 2017, Christopher Nolan)
Vaya, acabo de darme cuenta de que parece ser Branagh es uno de los co-protagonistas junto con Mark Rylance. Pensaba que seria un rol muy secundario. A que me vengo arriba...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Dunkerque (Dunkirk, 2017, Christopher Nolan)
Hay imágenes que me han gustado mucho, aunque como trailers me han dejado un poco frío. Pero bueno, ya sabemos que a Nolan le gusta esconder sus cartas. Soy moderadamente optimista.Iniciado por Branagh/Doyle
Vaya, acabo de darme cuenta de que parece ser Branagh es uno de los co-protagonistas junto con Mark Rylance. Pensaba que seria un rol muy secundario. A que me vengo arriba...
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Re: Dunkerque (Dunkirk, 2017, Christopher Nolan)
Perdón, he citado el mensaje que no era
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Re: Dunkerque (Dunkirk, 2017, Christopher Nolan)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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