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Re: Effie Gray, con Dakota Fanning (Richard Laxton, 2015)
Since the movie has been delayed a number of times and Doyle has been working simultaneously on two projects at the same time as Cantelon was scoring this one, it most likely just got impossible for him to do for scheduling reason.
Eso explica por que la partitura no es de Doyle. Algo similar debió ocurrir en la secuela de Nanny McPhee.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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