¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.Que pintaza tiene esto.
Tripley, pásate por el hilo de la nueva entrega de Matrix cuando puedas, por favor.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ya decía yo que dos Desplat en un año me parecían poca cosa, teniendo en cuenta su ritmo de trabajo habitual.![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Creía que este año teníamos doblete de Del toro.
Además Desplat tiene también en cartera los últimos proyectos de Rebecca Miller y Guillaume Canet que, diría que tienen similitudes en lo temático.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Primer Trailer
Qué pintaza, qué repartazo, qué fotografía y diseños... y hasta ciertas imágenes me han recordado a Barton Fink.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Muy buena pinta, aunque sigo sin saber realmente de qué va la peli. Se me acumula el trabajo para diciembre!
El callejón de las almas perdidas
Poster español
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Pues al final, Desplat no va a poder componer el score (debido a las restricciones del COVID y problemas de agenda del frances)
Se encarga Nathan Johnson.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Tengo ganas de ver esta peli, el libro es muy peculiar, oscuro y deprimente, a ver qué nos ha hecho el Sr. Del Toro.
"Los locos a veces se curan. Los imbéciles no.” Oscar Wilde.
Johnson se ha dado prisa y ya tiene terminada y grabada la banda sonora, donde por lo que se ve, metera violines
https://twitter.com/NTJohnson/status...35761405636624
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Nuevo Trailer
El trabajo de Nathan Johnson se edita mañana
https://music.apple.com/nz/album/nig...ack/1597855177