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Re: James Cameron: ¿Odiado o Amado?
Gracias a (casi) todos, por sus palabras.
Re: James Cameron: ¿Odiado o Amado?
Iniciado por James Cameron
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: James Cameron: ¿Odiado o Amado?
Eh Jim!
¿Que cojones pasa con las ediciones UHD que nos prometiste?
Copooooooon
Re: James Cameron: ¿Odiado o Amado?
Maldito!
Ja ja ja!
Re: James Cameron: ¿Odiado o Amado?
Estoy viendo de nuevo Titanic ahora.
Que esplendido montaje y que gran complicidad entre Di Caprio y Winslet, con esos grandes dialogos elaborados por un genio en crear grandes historias con alma como esta.
Se nota el empeño y la perfeccion en cada segundo de pelicula.
Re: James Cameron: ¿Odiado o Amado?
Secuelas de Alita en camino, según ha comentado el propio Cameron.
https://twitter.com/EpicFlixAnime/st...-on-the-way%2F
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: James Cameron: ¿Odiado o Amado?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: James Cameron: ¿Odiado o Amado?
La que quería hacer…
Re: James Cameron: ¿Odiado o Amado?
claro. Como Aliens. De toda la vida.La que quería hacer…
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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