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Mad God (Phil Tippett, 2021)
Descrita por el propio Tippett como "una película experimental en stop-motion ambientada en un mundo miltonesco de monstruos, científicos locos y cerdos de guerra".
YA TARDA.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
Re: MAD GOD, del dios loco Phil Tippett.
Pero esto lleva mil años no? Lo va a terminar?
Re: MAD GOD, del dios loco Phil Tippett.
Unos 30 años...
Y parece ser que sí, que su intención es esa.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
Re: MAD GOD, del dios loco Phil Tippett.
Iniciado por BruceTimm
Tiene una pinta estupenda... salvo por la cita de ella, claro.
Mundo miltonesco (!!!!!)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: MAD GOD, del dios loco Phil Tippett.
Este hombre es un genio
Re: MAD GOD, del dios loco Phil Tippett.
Re: Mad God (Phil Tippett, 2021)
Pues parece que la terminó; se ha podido ver en Sitges, y...
‘Mad God’: el genio tras las criaturas de ‘Star Wars’ nos lleva al infierno en la obra maestra que tardó 30 años en rodar.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Mad God (Phil Tippett, 2021)
Que duración tiene? porque igual se hace pesada de ver.
Re: Mad God (Phil Tippett, 2021)
83 minutos.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Mad God (Phil Tippett, 2021)
Vista.
Visualmente abrumadora y críptica, parece la hija bastarda entre los hermanos Quay, el Terry Gilliam más loco y el Lynch más pesadillesco.
La película carga todo su peso en la potencia de las imágenes, con un nivel de detalle tan cuidado que no me extrañan los treinta años que le ha llevado a Tippett poder terminarla.
De lo mejor del año.
Re: Mad God (Phil Tippett, 2021)
Vi un reportaje de esto hace mil años, pensaba que era la típica cosa de la que nunca vuelves a saber nada, a ver si le puedo echar mano, que tiene una pintaza
Imagino que lo de Mad God se refiere a sí mismo
Re: Mad God (Phil Tippett, 2021)
30 años para rodar un mal viaje de LSD
Re: Mad God (Phil Tippett, 2021)
Disponible en Amazon Prime Video a través del canal de AMC+, que tiene 7 días de prueba gratuita).
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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