Gracias por el aviso B/D!!!! Veo que también está en Spotify (ya lo estoy siguiendo).
Gracias por el aviso B/D!!!! Veo que también está en Spotify (ya lo estoy siguiendo).
En su podcast, Deakins se ha sentado a hablar con Hoyte Van Hoytema, y particularmente, se ha deshecho en elogios hacia la parte inicial de Interstellar.
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Aún sigo salivando por su trabajo en Ad Astra...
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Deschanel, otro gran directores de fotografía (ahí está la reciente La sombra del pasado).
Y padre de Zooey y Emily Deschanel.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Roger Deakins es desde hoy Sir Roger Deakins
https://www.newschainonline.com/news...for-him-250762
https://www.instagram.com/p/CZccn6iqg6w/
Un saludo.
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Lo único que se confirmó es que dejaron de trabajar juntos, no trascendió nada más en su día. Jamás había leído comentarios que sugiriesen que hubo tensiones entre ambos, o algún tipo de conflicto. Normalmente los artistas dejan de colaborar y ya, pero mantienen la amistad, como el propio Anderson con Jon Brion o Shyamalan con James Newton Howard.
Estas declaraciones de Elswit (que si, son de 2019, pero las he descubierto hoy) indican que si tuvieron una disputa a nivel personal y eso es lo verdaderamente relevante a mi juicio (y triste).
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Si, solo decía que así parece ser, que su no colaboración, no es simplemente por decisiones artísticas, si no por desavenencias personales.
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Owen Roizman, mítico director de fotografía durante casi cincuenta años gracias a trabajos como El exorcista, French Connection, Network, Los tres dias del cóndor, Tootsie o Pelham 1, 2, 3, ha muerto a los 86 años de edad:
https://www.hollywoodreporter.com/mo...st-1235293000/
Descanse en Paz….
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Pobre hombre, creo que se retiró de forma prematura (a los 59 años) por una enfermedad que deterioró mucho su condición física. Un coloso.
Hace pocó revisé Wyatt Earp y es una maravilla.
Descanse en paz.
Última edición por Branagh/Doyle; 09/01/2023 a las 12:30
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Esto se me pasó en su día... una pena que acabasen mal estos dos, después de tantos años:
Paul Thomas Anderson’s Former DP Robert Elswit Doesn’t Like the Way ‘Phantom Thread’ Looked
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
(Aquí el amigo Hoffmeister -en el centro- decidiendo cúal cámara de las treinta disponibles usa )
Como no me canso de alabar las virtudes de esta excelente película, aprovecho para compartir el artículo que Arri ha publicado sobre algunas cuestiones técnicas solicitadas por Todd Field y Florian Hoffmeister para conseguir el ambiente específico de la película. Prácticamente han hecho lentes a medida para permitir al cinematógrafo ajustar a su gusto la nitidez, profundidad de campo o el tono de la imagen: https://www.arrirental.com/en/about/...ontent=traffic
Especialmente interesante me han parecido las apreciaciones de Hoffmeister sobre su distinto enfoque del personaje en función de su imagen pública o privada o el planteamiento inicial del director de filmar en 16 mm el proceso final del personaje.
"Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing"
Una de esas fotos curiosas, en este caso del rodaje de Hook, el capitán Garfio, de Steven Spielberg (1991). El operador de cámara Brian Van't Hul prepara la toma final de la película. Una placa de acción en vivo de Peter y su familia mirando por la ventana se retroproyectó en una pintura de la casa que se fotografió junto con una segunda pintura que abarca el horizonte de la ciudad:
Es curioso pensar que, aunque hayan pasado ya 32 años de esto, a principios de los noventa las integraciones de este estilo seguían haciéndose a la antigua usanza…
Un saludo.
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.