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Tema: Francis Ford Coppola

  1. #176
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    22,283
    Agradecido
    52631 veces
    What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.

  2. #177
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    22,283
    Agradecido
    52631 veces
    What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.

  3. #178
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    22,283
    Agradecido
    52631 veces

    Predeterminado Re: Francis Ford Coppola

    Y respecto a la demanda contra Variety por difamación, veremos. El caso sigue su curso.
    What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.

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