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Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
BruceTimm, a juzgar por estas fotillos que se van publicando, a Coppola le veo buen aspecto físico. Mejor que hace un año en Cannes, desde luego. Debe estar comiendo bien y cuidandose.
A Storaro también se le ve muy bien. Tiene 85 años, o sea que son exactamente de la misma quinta.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Definitivamente se trata de Glimpses of the Moon a la italiana.
Ya tenemos sinopsis oficial, fecha concreta del inicio de la producción (el próximo 1 de Noviembre), localizaciones del rodaje (Calabria y Basilicata) y algunos detalles más.
Francis Ford Coppola (Director)
Olivia Musini (Producer)
Maximilian Navarra (Producer)
Clara Zuliani (1st AD)
Vanja Borozan (1st AD)
Sinopsis:
Will it be Lake Como? Or Venice? Nick and Susy Lansing, penniless drifters in the international set of 1922, must decide which of the houses of their wealthy friends they should borrow for their honeymoon.
Última edición por Branagh/Doyle; 14/10/2025 a las 10:22
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Tripley, por los nombres de los protagonistas parece ser que Coppola respetará de la novela lo que me comentaste hace unos días, que va de expatriados americanos en Europa, pero como dijiste, trasladando el asunto de Francia a Italia.
Me pregunto si esto le servirá para contratar jovenes actores de prestigio para los dos papeles principales. Me acuerdo que, cuando se anunció este proyecto, me dijiste que tu veias a Saoirse Ronan y Timothée Chalamet perfectos para los protagonistas de esta historia.
Última edición por Branagh/Doyle; 14/10/2025 a las 20:54 Razón: Errata
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Storaro literally lives just a few blocks away from where the film is supposed to shoot, in Calabria.
Ay.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Sí leyendo la sinopsis parece que se respeta bastante de la novelaIniciado por Branagh/Doyle
Respecto al reparto, supongo qu en breve sabremos si son caras más o menos conocidas.
Saludos
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Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Coppola comentó que su guión seguía la obra de Wharton bastante escrupulosamente excepto por el final, que le pareció que no estaba a la altura, así que lo modificó.
Veremos. A mí la novela me parece una delicia.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
En IMDb, en la página de Storaro, aparece en la sección de "Próximamente" este título junto con Versace: The Medusa Eyes de Billie August.
Pero a saber si es fiable o no.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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