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Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
La Comisión de cine Calabresa ha publicado un pequeño vídeo en sus redes sociales sobre las jornadas de casting del film que tuvieron lugar en el teatro Cilea hace una semana. Incluye entrevistas a la gente y demás.
https://i.imgur.com/kvX1I10.mp4
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
En el Linkedin de Massimiliano Navarra, doctor en filosofía que en la actualidad trabaja de productor ejecutivo para Cinemaundici, aparece como ultimo trabajo en curso Glimpses of the Moon, un film di Francis Ford Coppola.
Así, con ese nombre.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
De la televisión italiana, emitido el pasado 16 de Octubre.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
En el perfil de Linkedin de Clara Zuliani aparece lo siguiente:
First assistant director for “Glimpses of the moon” directed by Francis Ford Coppola
ago 2025 - Presente 3 mesi
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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