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Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
La Comisión de cine Calabresa ha publicado un pequeño vídeo en sus redes sociales sobre las jornadas de casting del film que tuvieron lugar en el teatro Cilea hace una semana. Incluye entrevistas a la gente y demás.
https://i.imgur.com/kvX1I10.mp4
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
En el Linkedin de Massimiliano Navarra, doctor en filosofía que en la actualidad trabaja de productor ejecutivo para Cinemaundici, aparece como ultimo trabajo en curso Glimpses of the Moon, un film di Francis Ford Coppola.
Así, con ese nombre.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
De la televisión italiana, emitido el pasado 16 de Octubre.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
En el perfil de Linkedin de Clara Zuliani aparece lo siguiente:
First assistant director for “Glimpses of the moon” directed by Francis Ford Coppola
ago 2025 - Presente 3 mesi
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Veremos cuando arranca la producción de esto. De momento no sabemos nada más ni ha habido ningún tipo de reporte al respecto.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Dice mi mujer que tal vez se haya rodado en secreto y tengamos noticias pronto de su estreno en algún festival. No sería descabellado, después del escándalo mediático que supuso la realización de Megalopolis.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
De hecho me he topado con esto.
Rome-based Senior Background & Crowd Coordinator working across Italy on film, television, commercial productions, and extras casting.
As an independent professional, I collaborate with production companies, structured service providers, and creative agencies, delivering reliable and scalable coordination for both large-scale and medium-size projects, including AOSM.
My experience includes historical and high-volume productions such as M – Il Figlio del Secolo (up to 12,000 background performers coordinated) and recurring collaborations with renowned directors including Paolo Sorrentino, Matteo Garrone, Francis Ford Coppola, Joe Wright, and others.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
El presidente de Basilicata, Vito Bardi, ha anunciado oficialmente el proyecto, con este titulo en inglés, Glimpses of the Moon. Se confirma que efectivamente es una adaptación de la novela homonima de Edith Wharton, y que empezara a rodarse muy pronto en el sur de Italia, donde se recrearán varias ubicaciones Europeas. Bardi ha descrito el proyecto como una "ambiciosa producción", de modo que me pregunto si el presupuesto finalmente habrá sido mayor de lo que esperaba Coppola.
Última edición por Branagh/Doyle; 09/04/2026 a las 10:12
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Es de pago, pero el último número de Production Weekly, de hoy mismo (ha sido publicado a primera hora de la mañana), lista Glimpses of the Moon como proyecto de rodaje inminente, y lo más interesante, a Vittorio Storaro como director de fotografía.
Última edición por Branagh/Doyle; 09/04/2026 a las 10:12
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Qué bien que el proyecto arranque ya.
Saludos
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Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Maravilloso, Storaro.Iniciado por Branagh/Doyle
Es de pago, pero el último número de Production Weekly, de hoy mismo (ha sido publicado a primera hora de la mañana), lista Glimpses of the Moon como proyecto de rodaje inminente, y lo más interesante, a Vittorio Storaro como director de fotografía.
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