Texto de la entrevista a Michael Dougherty que le hicieron cuando los periodistas visitaron el set

“I talked to Gareth quite a bit. Texting back and forth. Some phone calls here and there. He actually came and visited the set a few weeks ago. Jordan Vogt-Roberts I didn’t interact with too much outside of post-production during Kong when we had a brief meeting. But I really like what those guys have done and I think there’s definitely the visual style we developed for this film that we wanted to adhere to, on some levels. You also want to color outside the lines every now and then. You don’t want to be slavish, but I think trying to treat the creatures and the stories, with a sense of respect and also just trying to make it feel real is important.”

Another key thing from the 2014 Godzilla movie that Dougherty is maintaining is by applying a realism to the camera placement.

“I loved about the visual aspect of Gareth’s film is that he treated them with a sense of reality. There was never a magic CGI flying camera. Every shot of the creatures felt like it could have been shot by an actual human being. Whether they’re on a helicopter or a crane, hand held, whatever, the camera movements were never artificial. And so that’s also one of our ground rules. Because it does take you out of the movie, whether consciously or sub-consciously, when you realise that oh, there’s no way a camera could have possibly gotten that shot. And it adds a sense of weight and reality to it which I think is missing from a lot of blockbuster movies

https://www.comingsoon.net/movies/fe...AsPa3FzwSvf.99