Sigo sin superar lo de ese gif.
No puedo. Imposible.
Joder.
Sigo sin superar lo de ese gif.
No puedo. Imposible.
Joder.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Mi primera aproximación a Buffy fue vía Cordelia a principios de la segunda temporada, mientras pasaba canales a lo tonto.
La vi, mi entrepierna reaccionó y me dije: HOSTIAS, ¿y esta DIOSA? Y ahí me quedé.
Después llegó Faith y aquello ya era insoportable, hormonalmente hablando.
P.D- Mención especial a, por cierto. Whedon, ¡¡CABRONAZO!!Spoiler:
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Última edición por BruceTimm; 29/09/2020 a las 20:46
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
«In a world where evil prevails, goodness becomes an act of rebellion»
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Última edición por Branagh/Doyle; 29/09/2020 a las 23:14
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
ESOS días de London. Whedon vive ahí desde aprox primavera de 2019 (rodando The Nevers) pero la zona es más tipo por donde corretea Sarah al principio de Labyrinth (aunque eso es NY)
Sobre la susodicha ojo a esto (aunque se refieren a su personaje pero bueno). El entrevistado es el puto Tim Minear: de los 3 lugartenientes de Whedon es, sin duda, su mayor clon. Le confió el día-a-día de Firefly (Whedon andaba en 3 series a la vez así que necesitaba showrunners para tiempo completo).
Min 2:34
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Lo curioso es que de sus series fue el único fichaje (de los fijos) en plan Baywatch o, digamos, en plan muy exagerado (joder que es una playmate). La verdad es que la Carpenter canta mucho.
Ya en el 3x13 de Angel, el del ballet, se dio el lujo de que que pudiéramos ver como se daba cuenta (ya que hablamos de erecciones) del levantamiento penal de Angel![]()
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Angel: Kinda hard
Cordy: Kinda noticed
![]()
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Parece que le tiene aprecio... En el min 0:47 tiene hasta que agachar la cabeza
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Muchas gracias, compañero. Ya me avisó Synch y he evitado leerlo. En cuanto me ponga con la segunda temporada me reincorporaré por aquí.
Por cierto, recuerdo que en algunos de los capítulos que me gustaron salía un vampiro con el pelo rubio platino, ¿este aparece ya en la segunda temporada?
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Estáis enfermos, el usuario que lo ve actualmente dice que espera más capítulos con consecuencias graves y yo intento decirle que si, pero sin dar spoilers o ¿acaso no os acordáis de...?
Spoiler:
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
A mí me ha clavado, no me ofendo.![]()
Yo me las calzaba a todas, la verdad sea dicha, pero con AMOR, eh. Y cuanto más extremas, mejor...
Mis cuelgues SERIOS con Dru y Darla dan fe.
Última edición por BruceTimm; 30/09/2020 a las 15:54
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
«In a world where evil prevails, goodness becomes an act of rebellion»
Yep. Aparece desde la 2a temporada. Uno de esos casos en los que iba a durar poco y se dieron cuenta del potencial.
Si nos ponemos en modo barra de bar, que siempre es sano, digo la obviedad de Faith y el guilty pleasure visual de Cordelia (en esa tripa se podría rallar pan duro, Angel temporadas 1-2-3) pero ojo a la tapada: Buffy desde la 4a y sobre todo 5a temporada....
Pero debo mencionar a Fred. No por lo mismo sino porque... No sé. Dicen que hubo enamoramiento de todo el mundo el día que Amy Acker hizo el casting para Fred en Angel allá por primavera de 2001. Whedon hasta escribió una escena pasada en el Midnight Summer Dream de Shakespeare
![]()
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Dicho test rodado con Alexis Denisof y J. August Richards. Acker dice que fue al día siguiente de su fichaje...
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
BruceTimm, tienes un MP.
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Pensaba que esto era de la reunión para la Entertainment Weekly pero es de la NYCC 2019. Falta Boreanaz.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Pues estoy volviendo a ver Buffy en amazon prime, es una serie que me flipaba de adolescente y la veia cada verano con religiosidad en canal plus. Pensaba que ahora con 30 tacos me iba a parecer ridicula pero aguanta bien y la estoy disfrutando! Jajaja Sobre todo a partir de la T2, la T1 si que es mas floja.
Joder como cantan los dobles de accion en pantalla grande en las tv de tubo no se notaba.Y bueno el destrozo de fotografía e iluminacion que hicieron con el upgrade a HD también ayuda a que canten los dobles. Lo suyo es pillar los dvd para verla bien, la comodidad del streaming en HD es tentadora pero el destrozo va hasta contra la autoria de los realizadores. Las escenas de noche con todo iluminado pffff de carcel.
Vamos que con todo el rodaje de series y cine que llevo veo Buffy ahora y entiendo por que es un hito y una de las series más importantes e influyentes de la historia
Última edición por DocJota; 06/10/2020 a las 10:33
Una referencia absoluta del medio que, antes de proceder a su desgranado analítico, basta con observar que la fórmula subyace en el título.
Buffy The Vampire Slayer
Humor, terror y acción. Y los tres términos (o lo que desprenden) se unen en un título ligero que da pie al equívoco. Warner, o Fox, querían cambiar el título a Slayer pero Whedon se negó. Sabía muy bien que la fórmula debía presentarse ya desde el título, la imagen... Todo. Todo debía cubrirse con esa pátina de serie aparentemente ligera para calzar ahí el auténtico proceder. Y toda la serie funciona así.
Por eso, a mayor gloria de Warner y Fox, la serie funcionó como éxito generacional pero funciona aún mejor a ojos de un adulto. Que por algo la menciona hasta David Simon![]()
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
[it] changed television drama by stealth, introducing formal experimentalism and long story arcs and postmodernity long before prestige shows had even considered doing so.
Something For The Weekend: Patrick Freyne's Cultural Picks
TELEVISION
My favourite types of television programme, I’ve realized, are things that are "better than they ought to be." So, while I love The Wire and Succession and Orange is the New Black, I feel even more affectionate towards things that were meant to be exploitation romps and actually turned out to be amazing, like Press Gang or My So-Called Life or Buffy the Vampire Slayer or Being Human or Z Nation. Buffy the Vampire Slayer in particular changed television drama by stealth, introducing formal experimentalism and long story arcs and postmodernity long before prestige shows had even considered doing so.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
No recordaba (nunca lo memoricé vaya... O en el doblaje de antaño lo cambiaron, que.... Podría ser) que hay referencia a Buffy en Friends
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Entrevista a Amber Benson que pongo en spoiler porque hay compañeros viendo la serie por primera vez y
Spoiler:
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)