I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
De un tiempo a esta parte, tengo claro que Whedon es un GILIPOLLAS INTEGRAL.
También tengo CLARÍSIMO que es MÍ (/nuestro) gilipollas integral, así que TODO en orden. Le quiero igual ANTES y DESPUÉS. Total, solo le analizo desde las ÚNICAS facetas que ME APORTAN e interesan, las artísticas, formales y creativas.
P.D- Y Marty es un GRANDE. Hay mucho que aprender de él.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
Joder, me voy a dormir, vuelvo y esto parece una mezcla entre Lo que el viento se llevó y Halloween 6.
Reconduzco con un ejemplo de como Whedon no puede resistir ser él mismo incluso escribiendo en los guiones:
And Spike jumps over the whole defensive crazy line to land in the thick of the minions, just fists and fury. (Fists, in fact, OF fury.)(Not David Fury.)(Though his fists are formidable.)(What, no, I'm not sleepy! Hey, I'm in CHARGE, here!)
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Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
A veces también sabe acojonar:
Emerging from the darkness. They are dressed much like commandoes -- camouflage pants, sweaters -- with ski masks and infrared goggles covering their entire faces. The two not carrying the taser carry shiny hightech rifles. They all move silently, gracefully, approaching the fallen vampire.
His paralyzed face. His terrified eyes.
Así termina uno de sus guiones. Lo que viene a ser una descripción lo torna en escritura independiente. Algunos de sus guiones en Buffy y Angel pueden leerse tal cual.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo acabo de entrar y me encuentro con el pollo montado (me entero por la cita de Bruce) y ya resuelto. En realidad con foreros así no hace falta desacreditarlos, ellos mismos se acaban mostrando como son tarde o temprano, como en este caso.
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I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Aquí no ha pasado nada, podéis seguir con lo vuestro
"Una leyenda no es más que un nombre sobreexplotado, uno la cuenta, un segundo la escucha, y un tercero la divulga"
Releyendo comentarios durante la ¿7a? temporada con Whedon y Noxon comentando el episodio Wild at Heart, son
Joss: You know, you folks out there don't know what it's like to do DVD commentary. We've shot this thing three years ago. We all hate each other now. We have this forced camaraderie.
Marti: We haven't actually seen each other. You know, Joss and I have a restraining order.
Joss: We've been using a digital Alyson for the last two years. Nobody even knows about it, but she lives in France. It's a thing.
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Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)