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Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Teniendo en cuenta que Kennedy busca el sonido Williams en este Star WarsVerseGiacchino es una opcion mas que loable.
Pero por Dios, no entregueis a este hombre a Trevorrow![]()
Última edición por PrimeCallahan; 25/06/2017 a las 12:50
Un detalle curioso: va a ser interesante ver los titulos de credito de esta pelicula, con la conocida música. El "directed By", seguido de nombres.
Hablando de creditos, en IMDB aparece como cámaras usadas en el rodaje, según creo, el mismo tipo que el usado en Rogue One.
No se si es un debate un poco estupido, pero lo planteo. ¿Los nuevo Episodios de Star Wars se ruedan en celuloide, mientras que lso Spin Offs se ruedan digitalmente?.
Última edición por ValenBTTF; 25/06/2017 a las 16:07
Cita
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Yo supongo que en cuanto a la música dependerá mucho de cómo vaya la producción, si van mal de tiempo tirarán de Giacchino fijo y si van bien podrían volver a contactar con Desplat o buscar otro compositor interesado en la franquicia
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"