Si no recuerdo mal, la intención que tienen es de rodar una temporada/libro por año, aunque luego no se emita anualmente. Quieren aprovechar el crecimiento real de los actores.
Pues la verdad creo que nos podemos satisfechos con el casting.
La serie puede ser muy fiel a los libros, pero la parte de Snape tendrán que modificarla a la fuerza debido a la elección del actor.
El resto hasta el momento encaja muy bien.
Esa Hermione me convence muy poco de momento.
Siempre me imagino a un trasunto de esta muchacha. Sería perfecta para el rol.
https://www.youtube.com/shorts/wMgNz9ZeY_Y
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RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
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Bruce, lo curioso es que hay una descompensación bastante importante entre el trasfondo actoral de los tres chiquillos. La niña es alumna de una prestigiosa escuela de interpretación y ya ha hecho alguna cosa en teatro, pero los dos chavalines apenas tienen experiencia en ese sentido.
En fin, veremos.
PD: Ay madre, me está viniendo a la cabeza... ¿quien será el compositor de esto? Porque como intenten imitar a Williams como hicieron los lumbreras de Disney en Rogue One, les puede salir un pastiche cutre, que es lo que acabo sucediendo en esa película.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Bueno, eso puede ayudar a que parezca más pija estirada y ellos más empanados.
A simple vista son perfectos, pero a saber cómo se desenvuelven y de lo que son capaces de sacar los directores de ellos.
Todavía estoy esperando un actor o actriz trans, para darle caña a la Rowling. Seguro que da más el pego que un Snape negro.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Al principio y al final.![]()
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¿Estáis hablando de las pelis, no? porque en las pelis si que son muy tontos, pero en los libros Harry (sobre todo) no lo es, de hecho en algunos aspectos, es más inteligente que Hermione
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
En algunos aspectos sí.
No son imbéciles (Ron igual a ratos) pero en el global, la más culta es Hermione. Poco debate hay ahí.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.