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Re: Historia de un matrimonio (Marriage Story, 2019, Noah Baumbach)
That's my Halloween costume. And The Frankenstein is for Henry. He's coming here this weekend. We're going to trick or treat in the Slope. I made it more James Whale than Kenneth Branagh.
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Historia de un matrimonio (Marriage Story, 2019, Noah Baumbach)
revisé hace poco, 25 años después, Morir todavía y es de las diez peores películas que me visto en mi vida.
¿Branagh who?
Re: Historia de un matrimonio (Marriage Story, 2019, Noah Baumbach)
:(Iniciado por rohmerin
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Historia de un matrimonio (Marriage Story, 2019, Noah Baumbach)
¿Te gusta Branagh? ¿Te pareció buena Morir todavía?
Re: Historia de un matrimonio (Marriage Story, 2019, Noah Baumbach)
Puede ser, en perspectiva, su peor película con diferencia, pero a mí me gusta, llamalo placer culpable. Branagh es uno de mis directores favoritos, fíjate en mi nick. All Is True, su última película, es maravillosa.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Historia de un matrimonio (Marriage Story, 2019, Noah Baumbach)
Tu nick claro. Las vi en sus fechas originales pero no he revisado ninguna excepto Morir, y confieso que no me apetece ver siquiera Peter's friends.
Re: Historia de un matrimonio (Marriage Story, 2019, Noah Baumbach)
Tira a los Shakespeares al menos.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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