Creo que sé cuál es.
Si es la que creo, sale una actriz rubia en modo histérico...
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Creo que sé cuál es.
Si es la que creo, sale una actriz rubia en modo histérico...
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Y no nos olvidemos de otra rubia histérica en casa gótica...
Ésta, además guarda importantes similitudes...![]()
żPero la decís o no la decís?![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Bueno, pues a la porra. Es Los otros.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Exacto. Creo que el Alejandro Amenabar compositor no ha aparecido nunca por aquí.
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
El baile de los vampiros de Komeda
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Gracias, Jane.
Nueva propuesta:
https://clyp.it/fjko3tz5
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
żAlguna pistilla por aquí, Tripley?![]()
Reescuchando el tema, me suena a Georges Delerue pero mucho...![]()
Bueno, creo que la tengo, aunque no he visto la película, Lo importante es amar (L'important c'est d'aimer), de Andrzej Zulawski, 1975. Aun teniendo bastante claro que se trataba de Delerue, y más o menos en los setenta, ha sido complicado, porque vaya década prolífica del francés, 14 títulos en 1971, 13 en 1979... Este hombre no paraba, me recuerda a un compatriota suyo en pleno esplendor...![]()
Antes de nada, Akákievich, perdón por no haber dado pistas, hoy he estado todo el día fuera y ahora estoy poniéndome con el foro.
Efectivamente, es Delerue y como bien dices, es su score para Lo importante es amar. de Zulawski, película que me encantó (como todo lo que he visto de este director).
Tu turno
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Muchas gracias Tripley, yo la verdad es que no he visto nada del director polaco, pero es que no hay tiempo en la vida, y tanto por ver...
Aquí va nuevo tema:
https://clyp.it/qlgbmznn
Pues a mí La posesión me cautivó y desagradó a partes iguales. Y lo de la Adjani es para enmarcar. Se acaba de volver a editar en DVD por aquí:
https://www.amazon.es/Posesi%C3%B3n-...djani+posesion
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Uy, perdón, va alguna pistilla:
- Tercera y última colaboración entre el compositor y el director, un nombre muy mencionado últimamente (y no es Woody Allen), por una película con la que comparte un actor que interpreta a un personaje que guarda cierta similitud al que representa en esta que nos ocupa...
![]()
Este tema lo puse yo hace bastante tiempo
Ah, pues no lo he encontrado con el buscador, ży además el mismo? Es que es bueno, eh![]()
Si, el mismo tema
![]()
żHay alguien ahí..?
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Por las pistas digo que es Hellboy de Beltrami
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
żCómo lo hace Del Toro que compositor con el que trabaja, compositor que pare una joya? También le pasó a nuestro Fernando Velazquez. Parece ser capaz de hacer que los músicos den lo mejor de si.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Ahora que lo dices, B/D, caigo en que este es el tercer tema que pongo de una película de Guillermo del Toro, puse Mimic, también de Beltrami y La Cumbre Escarlata, maravilla de Fernando Velázquez. Aún no he escuchado el trabajo de Desplat para La Forma del Agua, ya que siempre me gusta oír la banda sonora por primera vez cuando veo la película, ya queda poquito...
Por cierto, perdón por el retraso, de hecho no sé porqué pensaba que ya se había acertado el tema, estoy mal de lo mío
Cuando quieras, Tripley!!![]()