"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Es majísima la Bullock. Pues CORRECTO, ya sabéis que hay estatuas y bustos de Hemingway en Pamplona, hasta dentro de un café, como si se hubiera quedado ahí de cliente para toda la vida...
El olfato de Akákievich sigue intacto después del parón. Tendríamos que poner juntos una agencia de detectives, Otto & Aki, detectives privados
![]()
, me encantaría, siempre me ha tirado el mundo detectivesco, todo el día fumando y bebiendo whisky, eso o mafioso, pero soy demasiado cobarde para cualquiera de los dos
Bueno, pues aquí dejo esta bizarra pieza para comenzar el rompecabezas
https://clyp.it/l0ak0e2u
Recomiendo no tener el volumen muy alto, sobre todo al inicio, yo me lo había dejado bastante alto y he pegado un brinco de aúpa![]()
Ay... que me parece que ya sé cuál es...Y si efectivamente es la que creo, es una especie de videojuego kitsch...
Última edición por Jane Olsen; 18/12/2018 a las 22:19
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Jane la sabe
Pongo otro tema, esta banda sonora es taaaaaan divertida
https://clyp.it/wmk5u1go
Sí, la sé.
Los autores, que creo no volvieron a hacer música para más películas, a pesar de que gozaron de gran éxito y fortuna crítica, están ahora de plena actualidad... La peli... pues un delirio kitsch y lisérgico, pero muy entretenida (uno de mis guilty pleasures, aunque no tengo a sus compositores o a su trabajo aquí en especial estima). Hay un montón de colorines, de dorados, de metacrilato, de plexiglás y de corchopán, y un montón de actores famosos, todos haciendo el sinsorgo a troche y moche y repartiendo leña que no veas...
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Sí hicieron algo más, sí hicieron algo más...![]()
Bien, Jane la sabe, Otto la sabe... Creo que de hecho todos la sabéis, ¿algún voluntario? O al pito pito gorgorito![]()
Flash! Aaaash! He'll save everyone of us!
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
A ver si Tripley se pasa por el hilo de las últimas pelis vistas en casa y me da su opinión, que creo recordar que el Nosferatu de Herzog le gustaba bastante/mucho.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Mira que te pierdes cosas como Serpico, El huevo de la serpiente (sí, Bergman producido por Laurentiis), Conan, Manhattan Sur, Terciopelo Azul... etc, etc... No sé yo ese médico tuyo
Pues Jane gana por goleada, la única valiente, no sólo en acertar la banda sonora sino en reconocer que le gusta Flash Gordon![]()
Es como un péplum galáctico, con un protagonista con el carisma de una farola, un space opera de marca blanca, cromas de todo a cien... Y a la vez, el gran Max von Sydow de villano, y a Queen en su modo más gamberro, cachondo y experimental, ¿quién da más?
Cuando quieras, Jane![]()
Última edición por Akákievich; 22/12/2018 a las 01:51
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Mitad y mitad.![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Pues a mí Hannibal no me parece execrable, mmmm digamos que desequilibrada, que navega entre lo gratuíto y algo impostado con ciertos pasajes atmosféricos y secuencias muy conseguidas como las de Gianini, y eso que no eso soy un fan del Tío Ridley, a partir de Legend. Si no fuera tan magistral la de losse la reivindicaría con un poquito más de salsa
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Alá lo que has dicho(parte dos)
Para mí en Dune casi casi todo son promesas cumplidas. Empezando por ese envoltorio que mezcla estética victoriana retrofuturista con estéticas "modelnas" ochenteras y por todo el poso que del obrón original de Herbert consigue meter Lynch (pese a los cortes y todo lo que se quiera) en pantalla y sobre todo, gracias a un uso de la voz en off para mí, magristal (y que creo que enaja muy bien con la manera de narrar que presenta la novela).
Yo supongo que antes del estreno de la versión de Villeeneuve haré relectura de la novela y revisionado de la versión de Lynch (y ya veremos si de la miniserie de TV).
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.