Entonces, ¿le toca poner a Branagh/Doyle?
Entonces, ¿le toca poner a Branagh/Doyle?
Se me adelantó por, supongo que los cinco segundos en que tardé en responder. Si, le toca a Branagh/Doyle.
Pongo en un momentito.
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Thompson y Branagh, empapados perdidos, en Morir todavía
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Correcto.
Y enorme tema romántico sacado del hollywood clásico que los envuelve. Sólo que en realidad es Patrick Doyle.. A veces pienso que nació en la época equivocada, habría ganado unos cuantos oscars en los 40-50. Ya, ya sé que me vas a decir que hablando de oscars, ya se lo tendrían que haber dado.
¡Te toca!
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Morir todavía es una película a contracorriente, un homenaje al cine de la época que comentas, Branagh/Doyle. Yo la volví a ver hace poco y me volvió a gustar mucho. Respecto a Doyle, sí, como algunos otros compositores, debería haber sido ya premiado.
Nueva propuesta:
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"