Con la venia de dawson, se trata de Hamlet, de (y con) Kenneth Branagh.
Saludos.
Con la venia de dawson, se trata de Hamlet, de (y con) Kenneth Branagh.
Saludos.
"And at the instant he knew, he ceased to know"
Si, es la primera vez que aparece en escena. ¿Planazo, eh? Menos mal que no la has visto, por cierto.
Te pongo la miel en los labios...
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Por cierto, el score está en Spotify, el cual no entiendo porque no usas siendo gratis ( si crear una cuenta es dar un correo, crear nombre de usuario y contraseña y ya está, como el proceso de registro en el foro, vaya).
Te toca.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pues sí, le tengo ganas desde hace tiempo.
Siguiente propuesta:
Spoiler:
PD: Sobre lo de Spotify, pues ya te puedes imaginar el motivo, apenas paro por casa y no dispongo del tiempo necesario, pese a que no descarte la posibilidad de probarlo.
Saludos.
"And at the instant he knew, he ceased to know"
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La muerte seguía a Caballo Loco, estooo... War Horse, del maestro Spi. Probablemente cuenta con el mejor score de Williams de su última etapa. Aunque en el género de fantasía, la música BFG está casi a su mismo nivel, sin duda.
Hay muchas formas de valentía, Emile.
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(...)
You'll likelier lose an eye, Mr Lyons, if you carry on prating at how to manage my son! Or my plow, or my horse, or my field, or my farm!
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¡Correcto, Branagh/Doyle!
Hermosísima (épica, emotiva, fordiana) película de Spielberg, que llegó a estar nominada a mejor película (junto a su fotografía y la banda sonora de Williams).
Tu turno, pues.![]()
"And at the instant he knew, he ceased to know"
A ver que tal:
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"De Doyle a Doyle y tiro por que me toca"![]()
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A ver si alguien la adivina.
Saludos.
"And at the instant he knew, he ceased to know"