¡Correcto, Branagh/Doyle!
Hermosísima (épica, emotiva, fordiana) película de Spielberg, que llegó a estar nominada a mejor película (junto a su fotografía y la banda sonora de Williams).
Tu turno, pues.![]()
¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.¡Correcto, Branagh/Doyle!
Hermosísima (épica, emotiva, fordiana) película de Spielberg, que llegó a estar nominada a mejor película (junto a su fotografía y la banda sonora de Williams).
Tu turno, pues.![]()
"And at the instant he knew, he ceased to know"
A ver que tal:
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
"De Doyle a Doyle y tiro por que me toca"![]()
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A ver si alguien la adivina.
Saludos.
"And at the instant he knew, he ceased to know"
Si, llevo un par de semanas de fanboyismo desatado.
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
De esta, por cierto, sí tengo su banda sonora.
Saludos.
"And at the instant he knew, he ceased to know"
Tripley ¿no te la sabes?
Pista, la actriz del gif ganó el premio César por su interpretación en el film
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
					
				
			
			 
			
				Y su director aparecía en una pelicula de Brian De Palma.
					
						
					
						
					
				
			
			
			
				Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.