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About LinkBacksSi, llevo un par de semanas de fanboyismo desatado.
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Re: [Juego] Adivina la película por el gif
Si, llevo un par de semanas de fanboyismo desatado.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: [Juego] Adivina la película por el gif
De esta, por cierto, sí tengo su banda sonora.
Saludos.
"And at the instant he knew, he ceased to know"
Re: [Juego] Adivina la película por el gif
Tripley ¿no te la sabes?
Pista, la actriz del gif ganó el premio César por su interpretación en el film
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: [Juego] Adivina la película por el gif
Y su director aparecía en una pelicula de Brian De Palma.
Re: [Juego] Adivina la película por el gif
Leñe, pero dila, Golondrina. Claro, es que son íntimos.
agradable
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: [Juego] Adivina la película por el gif
Pues ahora mismo no caigoIniciado por Branagh/Doyle
Tripley ¿no te la sabes?
Pista, la actriz del gif ganó el premio César por su interpretación en el film
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: [Juego] Adivina la película por el gif
Lo ganó en 1993 (el Cesar). La peli es del año anterior.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: [Juego] Adivina la película por el gif
Me autoflagelo por no reconocer a la Deneuve en Indochina
Slaudos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: [Juego] Adivina la película por el gif
Deberías, si. Peliculón. Ganadora del oscar, creo.
Y por cierto:
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: [Juego] Adivina la película por el gif
Ah, ya recuerdo, que tuviste una epifanía, entraste en una tienda y arramblaste con varias del compositor de una tacada. Y luego en tu casa te flagelaste por no haberle prestado más atención antes. ¿Me equivoco?De esta, por cierto, sí tengo su banda sonora.
Saludos.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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