Pues para mi, el podio de las pelis de Eastwood es: SIN PERDÓN.
No digo que haya hecho otras obras maestras de gran nivel, pero ésa esta a un nivel Dios inalcanzable que dificilmente podrá ser superada.
Pues para mi, el podio de las pelis de Eastwood es: SIN PERDÓN.
No digo que haya hecho otras obras maestras de gran nivel, pero ésa esta a un nivel Dios inalcanzable que dificilmente podrá ser superada.
TCL 65C805 UHD MiniLED
LG UBK90 - 4K/UHD/Dolby Vision BR Player
Microsoft Xbox Series X
CESVA
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Siempre lo diré, Eastwood es de los directores que te puede coger el listín telefónico y te hace una buena película
We few, we happy few, we band of brothers; for he to-day that sheds his blood with me shall be my brother; be he ne'er so vile, this day shall gentle his condition; and gentlemen in England now-a-bed shall think themselves accurs'd they were not here, and hold their manhoods cheap whiles any speaks that fought with us upon Saint Crispin's day.
We few, we happy few, we band of brothers; for he to-day that sheds his blood with me shall be my brother; be he ne'er so vile, this day shall gentle his condition; and gentlemen in England now-a-bed shall think themselves accurs'd they were not here, and hold their manhoods cheap whiles any speaks that fought with us upon Saint Crispin's day.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Steelbook francés. Confirmo castellano, aunque no viene en la contraportada
Última edición por ELIS; 02/04/2025 a las 12:50