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About LinkBacksTripley, Zack, tenéis un privado.
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Re: Kenneth Branagh
Tripley, Zack, tenéis un privado.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Tripley, a ti que te interesa el tema... ¿te has dado cuenta de que Branagh parece haber encontrado director de fotografía fijo? Desde Sleuth le ha fotografiado todas. Otro colaborador más en su carrera; contando a Patrick Doyle, Tim Harvey y David Parfitt.
El griego Haris Zambarloukos.
Última edición por Branagh/Doyle; 28/07/2016 a las 18:15
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Branagh/Doyle, no me había fijado en esa ya corriente colaboración entre Haris Zambarloukos y Branagh. habrá que ir apuntádola en la listas de tamdems fotográficos potentes. Veo que este director de fotografía se encargo de Locke
Saludos
Última edición por Tripley; 28/07/2016 a las 19:07
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Lo pongo por aquí también, por estar relacionado:
Interesante recorrido y breve comentario (charla) por la obra del compositor:
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Por cierto, 1989-2016. ¿Por muchos años más de colaboración o debería Branagh probar con otros figuras cómo Desplat? ¿Es la íntima amistad un problema a largo plazo o un acicate por esmerarse?
Pregunto.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Por cierto, Branagh y Doyle aparecieron cómo extras en la película carros de fuego (no, no es broma).
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Yo creo que es un acicate. Doyle y Branagh parece ya un binomio inseparable. Y eso que pensar en una colaboración Desplat-Branagh está muy bien.Iniciado por Branagh/Doyle
Por cierto, 1989-2016. ¿Por muchos años más de colaboración o debería Branagh probar con otros figuras cómo Desplat? ¿Es la íntima amistad un problema a largo plazo o un acicate por esmerarse?
Pregunto.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Tripley, a ver si sacas media horilla para oír esa charla sobre Doyle que te he dejado más arriba y me cuentas y a ver si hay suerte y este fin de semana o el próximo ves alguna de las pelis de Branagh que te he "enviado" (es broma, cuando puedas, que yo tengo cosas pendientes y no soy quien para estar metiendo prisa).
Pero es que me gusta mucho leerte y no es muy habitual encontrar apasionados de Branagh . ¡Ademas, me regalaste Enrique V por mi cumpleaños (esa reseña tan especial) y no lo olvido.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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