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Re: Kenneth Branagh
Hay una cosa (negativa), de Dead Again en la que creo que estará de acuerdo hasta Carmelo (dale recuerdos, Tripley). El acento americano del peraonaje de Branagh en el presente.
Mother of god, que cosa más forzada y falsa.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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