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Re: La Bella y la Bestia (Beauty and the Beast, Bill Condon, 2017)
Es una copia en tanto en cuanto el argumento y atmósfera de cuento disneyano clásico (es bucólica, azucarada y orgullosa de ello), remiten a la peli original.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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