"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
Lo estoy esperando...
De arriba a abajo:
El Fantasma de la Ópera (1925)
El hombre que ríe (1928)
El hombre mosca (1923)
Metrópolis (1926)
Nosferatu (1922)
Las tres luces (1921)
La tumba india (1921)
El Gabinete del Dr. Caligari (1919)
El hombre de las figuras de cera (1924)
La luz que mata (1921)
El que recibe el bofetón (1924)
El hundimiento de la Mansión Usher (1928)
La quimera del oro (1925)
El estudiante de Praga (1926)
Dr. Mabuse, el jugador (1922)
El mago rojo (1927)
El hombre y la bestia (1920)
Fausto (1926)
Garras humanas (1927)
Intolerancia (1916)
El Golem (1920)
La carreta fantasma (1921)
El legado tenebroso (1927)
Los nibelungos (1924)
La caja de Pandora (1929)
El murciélago (1926)
Salomé (1923)
El jorobado de Notre Dame (1923)
El vagabundo poeta (1927)
Última edición por Jane Olsen; 06/01/2018 a las 00:00
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.