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Re: Megalopolis (Francis Ford Coppola, 2024)
Qué triste noticia, lo siento mucho por Francis, ojalá Megalopolis le traiga muchas alegrías en los próximos meses y al menos le ayude a mantenerse ocupado.
Re: Megalopolis (Francis Ford Coppola, 2024)
Un golpe durísimo. Descanse en paz.
RIP, Sir Pratchett.
«¿Me permites una crítica constructiva a la mierda esa que has hecho?»
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
«El mal no puede crear nada nuevo, sólo corromper o arruinar lo que las fuerzas del bien han inventado o construido». J.R.R. Tolkien.
«DEI kills ART. It´s ineffective and actually appears to increase prejudice, not reduce it».
«Put a chick in it and make her gay and lame». Cartman as K.K.
Re: Megalopolis (Francis Ford Coppola, 2024)
Estoy shock. Buena documentalista, aún mejor escritora. La vida es muy cabrona a veces. Justo cuando Francis consigue terminar el mega proyecto personal que le ha tenido obsesionado casi 40 años, pierde al amor de su vida, a su compañera de viaje. 61 años juntos llevaban, que se dice pronto.
No es justo, maldita sea.
Descanse en paz.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
En una nota más alegre, Paul Schrader ha posteado esto en redes sociales, haciendo referencia sin duda al hecho de que los tres amigos coincidirán y volverán a estar juntos en el próximo festival de Cannes, algo que no pasaba desde 1985 (fecha en que fue tomada la fotografía).
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Me acabo de enterar de la noticia de la mujer de Coppola, que golpe más duro. Mucho ánimos al amigo Francis, y a su hija. DEP.
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Re: Megalopolis (Francis Ford Coppola, 2024)
Compañero, ¿todavía no se sabe cuando la proyectarán, verdad?. Lo digo porque he entrado en la web de Phenomena y en la ficha de esta peli pone "Próximamente".Iniciado por Edge-Azel
Pues mira que daran esta primavera en este cine a 4K
Allí he visto a 70 mm Lawrence de Arabia,Los 8 odiosos,Interstellar,Dunkirk,Tenet,Oppenheimer y inflada a 70 Vertigo
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Les acabo de preguntar a ver que me dicen
Re: Megalopolis (Francis Ford Coppola, 2024)
Muchas gracias.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Han dicho que lo anunciaran en breve,aun no han podido decirme fecha exacta
Re: Megalopolis (Francis Ford Coppola, 2024)
Genial, gracias de nuevo.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Última edición por Branagh/Doyle; 20/04/2024 a las 21:56
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Mí no ver foto. Sólo ver emoji babeando ... ¿sale algún Alien en Megalópolis?
Re: Megalopolis (Francis Ford Coppola, 2024)
Me pasa igual, y es algo que me ocurre con mucha frecuencia, en éste y otros hilos, e ignoro por completo el motivo.Mí no ver foto. Sólo ver emoji babeando ... ¿sale algún Alien en Megalópolis?
Un saludo, amigo, Otto+
In space no one can hear you scream.
Re: Megalopolis (Francis Ford Coppola, 2024)
A ver si ahora sí se ve
Re: Megalopolis (Francis Ford Coppola, 2024)
Prueba con Google Chrome. A mi es el navegador que mejor me va con el foro (normalmente uso Safari).Mí no ver foto. Sólo ver emoji babeando ... ¿sale algún Alien en Megalópolis?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
¡Muchas gracias!A ver si ahora sí se ve
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Gracias, Chuache, ahora sí, ¡y me gusta mucho lo que veo!A ver si ahora sí se ve
In space no one can hear you scream.
Re: Megalopolis (Francis Ford Coppola, 2024)
La verdad es que el cartel no puede ser más sugerente. ¡Compro!
Re: Megalopolis (Francis Ford Coppola, 2024)
En mi caso es que Youth Without Youth -preciosidad de película, por cierto- y Tetro me encantaron (no así Twixt), así que con el Coppola actual mi balance es bastante bueno, de modo que confío en que Megalopolis me encantará.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Esto es cinefilia pero... ¿alguien sabe si de Youth Without Youth hay Blu-Ray patrio?. En salas no se estrenó en nuestro país, por desgracia (¡herejía!). Es una historia preciosa, fascinante y cautivadora, probablemente la película más bonita de Coppola, con un montaje audaz y subyugante, tanto de imagen como de sonido (¡Walter Murch!). Es una pasada lo que consiguen Mihai Malaimare en la fotografía y Osvaldo Golijov en la música con apenas un millón de dólares de presupuesto global. Será fascinante ver como se desenvuelve este mismo equipo en una super producción -Megalopolis-.
Última edición por Branagh/Doyle; 22/04/2024 a las 22:36
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Editado por A Contracorriente. Hay vendedores externos de Amazon que todavía la venden. En grandes superficies está descatalogado.
Re: Megalopolis (Francis Ford Coppola, 2024)
Muchas gracias.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Vamos que nos vamos. Estreno en Francia -en cines, por supuesto-, en Septiembre.
‘Megalopolis' Finds French Distribution, Sets September Release
While U.S. distributors continue to complain about its low commercial prospects, Francis Ford Coppola’s “Megalopolis” has been picked up by Le Pacte in France. French newspaper Le Point confirms the film has also set a late September release in France.
Le Pacte is the same distributor as last year’s “Anatomy of a Fall.” No word yet on how much they paid to nab the rights to “Megalopolis,” but I can’t imagine it being that high given that Le Pacte isn’t necesarilly a studio known to dish out an inordinate amount of money for a film.
A Contracorriente, deja de mirarme así y haz algo, coño.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Francis Ford Coppola’s ‘Megalopolis’ Nears French Distribution Deal With Indie Banner Le Pacte
In the run-up to its world premiere in competition at the Cannes Film Festival, Francis Ford Coppola‘s 135-minute epic “Megalopolis” is on track to sell to a French distributor, Le Pacte.
The indie company, presided over by veteran French distributor Jean Labadie, is currently negotiating a deal. It seems like an odd match for such a pricey movie considering Le Pacte’s fairly modest size. Although the company has had recent hits, including Justine Triet’s “Anatomy of a Fall” and Maiwenn’s “Jeanne du Barry,” it may not be able to splurge on P&A. Coppola’s lawyer Barry Hirsch, who also served as a producer, has been courting studios and streamers to secure a splashy deal with a P&A commitment amounting to more than half of the film’s $120 budget, according to industry insiders. The pending deal with Le Pacte suggests that the film, which Coppola self-financed, might not get picked up by a studio for a worldwide pact. Beyond the P&A commitment, another demand that has turned off prospective buyers is the fact that producers, including Coppola, are seeking half of the movie’s revenues, even for France.
En la negrita ha de estar el problema.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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