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About LinkBacksPues colaboraron bastante. Y con Willis los tres padrinos, ¿no?.
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Re: Megalopolis (Francis Ford Coppola, 2020)
Pues colaboraron bastante. Y con Willis los tres padrinos, ¿no?.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2020)
Sí.Iniciado por Branagh/Doyle
Coppola contando siempre con grandes directores de fotografía, al igual que Woody Allen.
Saludos
Última edición por Tripley; 14/05/2019 a las 15:36
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Megalopolis (Francis Ford Coppola, 2020)
Re: Megalopolis (Francis Ford Coppola, 2020)
¿Cómo va esto?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2020)
Oscar Isaac, Zendaya, Forest Whitaker, Cate Blanchett, Jon Voight, Michelle Pfeiffer y Jessica Lange en conversaciones para aparecer en el film de Coppola
https://deadline.com/2021/08/francis...an-1234824846/
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Megalopolis (Francis Ford Coppola, 2022)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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