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About LinkBacksPues unos posts más arriba.Iniciado por jmac1972
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Re: Megalopolis (Francis Ford Coppola, 2022)
Pues unos posts más arriba.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2023)
jmac, aquí tienes la fuente.
”A New York mayor is at odds with a real estate tycoon who plans to use an innovative low-cost plastic to build a utopia called “Megalopolis.”
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2022)
La madre que....
Has tardado tres meses en reaccionar y yo buscaba noticias de ahora...
Re: Megalopolis (Francis Ford Coppola, 2022)
¡Perdón!. Reacciono cuando puedo.La madre que....
Has tardado tres meses en reaccionar y yo buscaba noticias de ahora.... Lo importante es que es oficial.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2023)
Concretamente, empiezan el 12 de Septiembre, y el rodaje durará 6 meses. 100 millones de presupuesto. La madre que lo parió.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2023)
Pues no sé como irá la media de hoy en día pero me parece una cantidad de dinero más que respetable, sobretodo si se tiene en cuenta que lo financia el propio Coppola. O al menos la mayor parte como he leído.
No veo que haya ningún estudio detrás.
Re: Megalopolis (Francis Ford Coppola, 2023)
No hay ningún estudio detras. Es una locura. Maravillosa, eso si.
6 meses de rodaje es mucho tiempo...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2023)
A ver si anuncian el director de fotografía y el compositor.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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