Se comentó que tendría mucho trabajo de postproducción por tema de efectos especiales, espero que esto no retrase la película y nos tengamos que ir a 2025. Estoy deseando verla.
Se comentó que tendría mucho trabajo de postproducción por tema de efectos especiales, espero que esto no retrase la película y nos tengamos que ir a 2025. Estoy deseando verla.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Spike Lee ha visto media hora de metraje y está encantado
https://www.worldofreel.com/blog/202...snggwx4ycyy75q
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Del pasado 5 de Enero.
Francis Ford Coppola Confirms ‘Megalopolis’ Early 2024 Release: ‘Wait and See’
"It’s unusual, and it’s never boring," Coppola teased of his self-financed $120 million epic starring Adam Driver.
“It’s only going to be a few months and it’ll be out,” Coppola said, adding, “All I can say is I love the actors in it. It’s unusual, and it’s never boring. Other than that, wait and see.”
“From my point of view, I was on schedule, which, on a big, difficult movie, is hard to do,” Coppola said. “I love my actors, and there is not one of them I would change. The movie has a style that went beyond my expectations. That’s sincerely how I feel. The most important thing is the life the film might have when eventually it cuts together and blossoms.”
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
He aquí la segunda venida de Cristo.![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Ojala se marque unos cuantos premios 50 años después del último
We few, we happy few, we band of brothers; for he to-day that sheds his blood with me shall be my brother; be he ne'er so vile, this day shall gentle his condition; and gentlemen in England now-a-bed shall think themselves accurs'd they were not here, and hold their manhoods cheap whiles any speaks that fought with us upon Saint Crispin's day.