Spike Lee ha visto media hora de metraje y está encantado
https://www.worldofreel.com/blog/202...snggwx4ycyy75q
Saludos
Spike Lee ha visto media hora de metraje y está encantado
https://www.worldofreel.com/blog/202...snggwx4ycyy75q
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Del pasado 5 de Enero.
Francis Ford Coppola Confirms ‘Megalopolis’ Early 2024 Release: ‘Wait and See’
"It’s unusual, and it’s never boring," Coppola teased of his self-financed $120 million epic starring Adam Driver.
“It’s only going to be a few months and it’ll be out,” Coppola said, adding, “All I can say is I love the actors in it. It’s unusual, and it’s never boring. Other than that, wait and see.”
“From my point of view, I was on schedule, which, on a big, difficult movie, is hard to do,” Coppola said. “I love my actors, and there is not one of them I would change. The movie has a style that went beyond my expectations. That’s sincerely how I feel. The most important thing is the life the film might have when eventually it cuts together and blossoms.”
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
He aquí la segunda venida de Cristo.![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Ojala se marque unos cuantos premios 50 años después del último
We few, we happy few, we band of brothers; for he to-day that sheds his blood with me shall be my brother; be he ne'er so vile, this day shall gentle his condition; and gentlemen in England now-a-bed shall think themselves accurs'd they were not here, and hold their manhoods cheap whiles any speaks that fought with us upon Saint Crispin's day.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Es que es del gusto de la academia totalmente. Director histórico (Un tío que se marca en apenas 8 años Padrino 1 y 2, Conversación [encima el mismo año que El padrino 2, jod$%] y Apocalypse Now es un put* genio), regreso después de años de sequía, repartazo Driver, Hoffman, Fishburne, Withaker, Voight, Esposito),.....
We few, we happy few, we band of brothers; for he to-day that sheds his blood with me shall be my brother; be he ne'er so vile, this day shall gentle his condition; and gentlemen in England now-a-bed shall think themselves accurs'd they were not here, and hold their manhoods cheap whiles any speaks that fought with us upon Saint Crispin's day.