¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
¿Cuanto se ha gastado Coppola en hacer esta pelicula?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Pues si nadie la distribuye seria un putadon,despues se quejaran que la distribuya por ejemplo Netflix y nos quedemos al 99% sin poder verla en cines por culpa que las distribuidoras importantes arriesgan 0
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Así que los mismos linces que en los últimos años se han estrellado una y otra vez en taquilla con mega-producciones de entre 200 y 300 millones no le ven salida comercial a la de Coppola (estando ya terminada). Se tiene uno que reír.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Has visto la película?porque ellos sí,y no han quedado especialmente impresionados, más allá de lo difícil que sea de vendérsela al público.
Coppola pretende que se gasten al menos 100M en lanzar su película,lo que implica un mínimo de 200M en taquilla para recuperar esa inversión.
Nadie mejor que el propio Coppola para anticipar una más que previsible guerra entre su insobornable visión artística y la visión pragmática de los ejecutivos. Al igual que muchos otros, ha vivido esta historia unas cuantas veces porque se trata de un conflicto tan antiguo como el cine. Same old story. Y, aún así, ha puesto un montón inconcebible de pasta para hacer lo que le ha salido de las pelotas, lo cual es digno de estudio (y de un guión memorable, puestos a pedir). Si las opiniones filtradas reflejan la mitad de la verdad, Megalopolis es más rara que un perro verde y deja a Apocalypse Now en un remake de Objetivo Birmania, por lo que va ingresar directamente, y a mucha honra, en la categoría de filmes malditos.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"